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학술연구/단체지원/교육 등 연구자 활동을 지속하도록 DBpia가 지원하고 있어요.
커뮤니티
연구자들이 자신의 연구와 전문성을 널리 알리고, 새로운 협력의 기회를 만들 수 있는 네트워킹 공간이에요.
초록· 키워드
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Nadine Gordimer’s The Pickup, published in 2001, well shows how the social issues have been changed in a way to reflect the South African society which is more complicated in the post-apartheid era. Examining the two different geographical territories between Johannesburg, South Africa and an unnamed nation in Middle East, putting aside the domestic racism between white and black, she extends her issue of racial other to global one with new rising issue of immigration in South African society. It seems that Gordimer’s such issue is well represented by two main characters: Julie Summers who comes from a wealthy family and falls in love with Abdu, an illegal immigrant who was born from a poor country in Middle East and is now working at a garage in a downtown of Johannesburg with hiding his real name Ibrahim ibn Musa. Having an official relationship with Ibrahim and joining the regular meeting at the El-Ay (L.A.) Cafe where all participants can enjoy the freedom of expression/speech except for Abdu, she begins to have interest in his silence and his presence, orientalized as the Arab Prince for her imagination. Arriving at Abdu ‘s nation later, she also keeps projecting the ‘less civilized’ images to his nation where there are only desert, uneducated people, and dirty houses and streets. In doing so, Gordimer leads reader to a never-ending issue of Orientalism in the Western literature. Moreover, the writer attempts to create a female-centered community at the male-centered Islam community by marginalizing the presence of Abdu who finally leaves to America alone. As Julie is successfully acculturated to the unknown Abdu’s community, she begins to place herself at the center of the community and plays a role as a mediator/communicator who can change/civilize it with her western knowledge of language and culture. By replacing the male-centered with the female-centered through Julie, Gordimer seems to be creating an idealized community with the notion of matriarchy. However, Gordimer places Abdu as an unstable subject who has to endlessly move back and forth for his undetermined national and cultural identity while Julie achieves the determined identity in both nations.
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참고문헌 (15)
참고문헌 신청
Coetzee, J. M. / Awakening, In Review of The Pickup / The New York Review of Books
Crush, Jonathan / 2001 / Introduction to Special Issue:Evaluating South African Immigration Policy after Apartheid / African Today 48(3):1~13
Dimitriu, Ileana / 2006 / Postcolonising Gordimer: The Ethics of ‘Beydon’ and Significant Peripheries in the Recent Fiction / English in Africa 33(2):159~180
Diala, Isidora / 2005 / Nadine Gordimer: The Mandela Myth and Black Empowerment in Post-Apartheid South Africa / English in Africa 32(2):135~154
Erritouni, Ali / 2006 / Apartheid Inequality and Postapartheid Utopia in Nadine Gordimer’s July’s People / Research in African Literature 37(4):68~84
Crush, Jonathan / 2001 / Introduction to Special Issue:Evaluating South African Immigration Policy after Apartheid / African Today 48(3):1~13
Dimitriu, Ileana / 2006 / Postcolonising Gordimer: The Ethics of ‘Beydon’ and Significant Peripheries in the Recent Fiction / English in Africa 33(2):159~180
Diala, Isidora / 2005 / Nadine Gordimer: The Mandela Myth and Black Empowerment in Post-Apartheid South Africa / English in Africa 32(2):135~154
Erritouni, Ali / 2006 / Apartheid Inequality and Postapartheid Utopia in Nadine Gordimer’s July’s People / Research in African Literature 37(4):68~84
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