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학술연구/단체지원/교육 등 연구자 활동을 지속하도록 DBpia가 지원하고 있어요.
커뮤니티
연구자들이 자신의 연구와 전문성을 널리 알리고, 새로운 협력의 기회를 만들 수 있는 네트워킹 공간이에요.
논문 기본 정보
- 자료유형
- 학술저널
- 저자정보
- 발행연도
- 2019.9
- 수록면
- 245 - 270 (26page)
- DOI
- 10.37967/emh.2019.09.145.245
이용수
초록· 키워드
오류제보하기
Poet Cho Se-rim was from Jusil Village in Youngyang county. Under the Japanese colonial regime, the village overcame the limitations of past traditions and experienced a process of enlightenment. In the village tradition, Jo Se-rim grew up during a village crisis when the Gregorian tax was imposed on the village and the rite was simplified. At a young age, he organized the boys of the village into a youth association to perform a small-scale drama with the boys in the village and sing children"s songs. But the Japanese disbanded the youth association. In his youth, Jo Se-rim recognized the colonial reality in the village and as a young man, became an activist.
In the world of poetics, the poet is very directly connected with the space in his hometown is very directly connected. While modern literature is being imported, it is not buried in the waves, but is used rather than as the background and theme of the poems with the people of its hometown and the village landscape. Thoughts about home truly reveal the identity of the poet. The colonial oppression and alienation of youth and the pain and oppression suffered by the residents of their hometowns reveal the colonial reality. In this reality, the poet overcomes depression and aims for hope.
The poet"s work shows the depression and passion of his youth under the realities of life in a colony. First, it shows that violence and oppression in colonial spaces have left young people depressed but at the same time opens their will up to hope for the future. Second, the works reveal the pain of people living in a home space without feeling. Rather than making a physical challenge against the oppressers, there is a strong resistance in the language. Third, the works bring back to mind the hometown that disappears when it is taken as a colony. It restores the past, bringing up a view of the home space before the colonial period.
In the world of poetics, the poet is very directly connected with the space in his hometown is very directly connected. While modern literature is being imported, it is not buried in the waves, but is used rather than as the background and theme of the poems with the people of its hometown and the village landscape. Thoughts about home truly reveal the identity of the poet. The colonial oppression and alienation of youth and the pain and oppression suffered by the residents of their hometowns reveal the colonial reality. In this reality, the poet overcomes depression and aims for hope.
The poet"s work shows the depression and passion of his youth under the realities of life in a colony. First, it shows that violence and oppression in colonial spaces have left young people depressed but at the same time opens their will up to hope for the future. Second, the works reveal the pain of people living in a home space without feeling. Rather than making a physical challenge against the oppressers, there is a strong resistance in the language. Third, the works bring back to mind the hometown that disappears when it is taken as a colony. It restores the past, bringing up a view of the home space before the colonial period.
목차
1. 들어가는 말
2. 식민지의 우울, 피식민 청년의 열정
3. 저항의 언어: 있는바 그대로를 쓰는 일
4. 기억과 재현의 방식으로 회복한 고향
5. 나오는 말
참고문헌
Abstract
참고문헌 (17)
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