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논문 기본 정보
- 자료유형
- 학술저널
- 저자정보
- 저널정보
- The Academy of Korean Studies THE REVIEW OF KOREAN STUDIES THE REVIEW OF KOREAN STUDIES Vol.3 No.2 DECEMBER 2000
- 발행연도
- 2000.12
- 수록면
- 5 - 18 (14page)
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초록· 키워드
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The analysis in this paper is focused chiefly on the semiotic aspect of Tasan's Yijing explication. There are three major parts to this paper: (1) Tasan's methodological position in terms of the semiotic aspect; (2) the philosophical implications of Tasan's xiang (象 image) theory from an epistemological and ontological perspective; and (3) the pragmatic aspect of Tasan's semiotic view related to the invention of instruments.
From a methodological point of view, Tasan developed elaborate interpretative skills that correlated the geometrical images of the signs with the lexical meanings attached to hexagrams. In this respect, his methodological position stands on the Xiangshu tradition. According to Tasan's understanding, the essence of Yijing philosophy is contained in the single term of xiang that defines a symbol as the imitative replication of an object. Epistemologically, such a definition implies external realism and at the same time excludes Taoist transcendentalism. The act of imitation already presupposes the existence of the object to be imitated. In other words, the symbol cannot be considered as a mysterious source from which all phenomenal existences come forth.
Also regarding the invention of the instruments, Tasan maintains that hexagrams are no more than imitative representations. Therefore, he refutes the idealistic interpretation that various instruments were created through contemplation of the images of the hexagrams.
From a methodological point of view, Tasan developed elaborate interpretative skills that correlated the geometrical images of the signs with the lexical meanings attached to hexagrams. In this respect, his methodological position stands on the Xiangshu tradition. According to Tasan's understanding, the essence of Yijing philosophy is contained in the single term of xiang that defines a symbol as the imitative replication of an object. Epistemologically, such a definition implies external realism and at the same time excludes Taoist transcendentalism. The act of imitation already presupposes the existence of the object to be imitated. In other words, the symbol cannot be considered as a mysterious source from which all phenomenal existences come forth.
Also regarding the invention of the instruments, Tasan maintains that hexagrams are no more than imitative representations. Therefore, he refutes the idealistic interpretation that various instruments were created through contemplation of the images of the hexagrams.
목차
Semiotic Significance of Interpretative Methodology
Definition of the Symbols
Xiang Theory from an Epistemological Perspective
Xiang Theory from an Ontological Perspective
Tasan‘s View on the Pragmatic Aspect of Signs related to the Invention of Instruments
Conclusion
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