지원사업
학술연구/단체지원/교육 등 연구자 활동을 지속하도록 DBpia가 지원하고 있어요.
커뮤니티
연구자들이 자신의 연구와 전문성을 널리 알리고, 새로운 협력의 기회를 만들 수 있는 네트워킹 공간이에요.
논문 기본 정보
- 자료유형
- 학술저널
- 저자정보
- 발행연도
- 2020.9
- 수록면
- 313 - 333 (21page)
- DOI
- 10.46694/JSS.2020.01.35.3.313
이용수
초록· 키워드
오류제보하기
In this paper, the author analyzed the film The Road from the River Ob’ directed by Zinaida Longortova from the Yamal, who won the grand prize in the competition of regional cinema at the Cheboksar International Film Festival in 2019, the film Lord-Bird directed by Eduard Novikov from the Sakha Republic, who won the grand prize at the Moscow International Film Festival in 2018, film the Baigal directed by Ildar Yakaparov from the Republic of Tatarstan, and the First Republic directed by Bulat Yusupov from the Republic of Bashkorstan and tried to uncover some of the distinctive features of Russian regional cinema.
What the film Lord-Bird wanted to say was the relationship between nature and civilization. This work shows the life of a minority ethnic group living as a Russian citizen while maintaining their own identity. In the Russian minority, Orthodox and folk beliefs do not exclude each other, but coexist.
The film Vigal goes back and forth 30 years ago and now in time. In the film, two worlds, the real world and the mythical world, intersect. The large fish called Vigal lives in the Volga River. In other words, this film seeks to secure the regionality and identity of Tatarstan with the existence of the Tatarstan myth called Vigal and the geographical background of the Volga River, and acquire universality under the theme of parents and children and art.
The First Republic can be seen as a kind of tribute to the Republic of Bashkorstan and as a tribute to those who devoted themselves to the birth of the Republic.
The film The Road from the River Ob’ is a feature film in the Yamal region, a minority region in Russia that is rarely produced. The screening itself deserves a record as an example of expanding the horizons of Russian regional cinema in Russian cinema history.
The characteristic of Russian regional cinema is to express the cultural and historical identity of the region. And Russia"s regional films tell us that Russia is not a country composed of only Russians, but a multi-ethnic country in which several ethnic groups coexist, and a space where a variety of multi-ethnic cultures and history still exist that are different from Russian culture. As an early stage of research, this paper is an attempt to first outline some of the major Russian films that have not yet been fully introduced in Korea. In the absence of existing research, it is unavoidable that it has a certain nature of information.
What the film Lord-Bird wanted to say was the relationship between nature and civilization. This work shows the life of a minority ethnic group living as a Russian citizen while maintaining their own identity. In the Russian minority, Orthodox and folk beliefs do not exclude each other, but coexist.
The film Vigal goes back and forth 30 years ago and now in time. In the film, two worlds, the real world and the mythical world, intersect. The large fish called Vigal lives in the Volga River. In other words, this film seeks to secure the regionality and identity of Tatarstan with the existence of the Tatarstan myth called Vigal and the geographical background of the Volga River, and acquire universality under the theme of parents and children and art.
The First Republic can be seen as a kind of tribute to the Republic of Bashkorstan and as a tribute to those who devoted themselves to the birth of the Republic.
The film The Road from the River Ob’ is a feature film in the Yamal region, a minority region in Russia that is rarely produced. The screening itself deserves a record as an example of expanding the horizons of Russian regional cinema in Russian cinema history.
The characteristic of Russian regional cinema is to express the cultural and historical identity of the region. And Russia"s regional films tell us that Russia is not a country composed of only Russians, but a multi-ethnic country in which several ethnic groups coexist, and a space where a variety of multi-ethnic cultures and history still exist that are different from Russian culture. As an early stage of research, this paper is an attempt to first outline some of the major Russian films that have not yet been fully introduced in Korea. In the absence of existing research, it is unavoidable that it has a certain nature of information.
목차
Ⅰ. 서론
Ⅱ. 본론
Ⅲ. 결론
참고문헌
Abstract
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UCI(KEPA) : I410-ECN-0101-2020-349-001297794