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자료유형
학술저널
저자정보
Sohn, Ilsu (Pusan National University)
저널정보
새한영어영문학회 새한영어영문학 새한영어영문학 제62권 제4호
발행연도
2020.11
수록면
173 - 193 (21page)

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초록· 키워드

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This essay aims to create a method to investigate the history of twentieth-century dystopian novels. Aldous Huxley’s Brave New World (1932), George Orwell’s 1984 (1949), and Margaret Atwood’s The Handmaid’s Tale (1985) commonly base their dystopian imagination on the varying manifestations of biopower, the power that realizes itself through the advanced understanding and politicization of life. Brave New World and 1984 depict how the mind and the body could be thoroughly disciplined and engineered for social stability and conformity; however, the futuristic domination of life by technology in those two early twentieth-century novels disregards the historicity of life. Published in the late twentieth century, The Handmaid’s Tale does not focus on the unlimited, inexhaustible power of technology but uses as its setting an ecologically endangered environment and population. The biopower of Atwood’s dystopia operates based on ecological and historical contexts of its time, thereby having access to more intimate realms of life. A comparative study of this essay illustrates how the literary understanding of biopower evolves with the genre of the dystopian novel.

목차

Ⅰ. Introduction
Ⅱ. Huxley and Orwell: the Technology-based Dystopia
Ⅲ. Atwood: Biopower in the Age of Ecological Disasters
Ⅳ. Conclusion
Works Cited

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