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논문 기본 정보

자료유형
학술저널
저자정보
여정화 (경성대학교) 곽다예
저널정보
동북아시아문화학회 동북아 문화연구 동북아 문화연구 제72집
발행연도
2022.9
수록면
271 - 279 (9page)

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Chinese Culture Circle is the world with Chinese characteries as media and has the same value system. Chinese culture circle of East Asia refers to the countries and of east Asia such as China, Korea, Japan, Vietnam and so on, This paper mainly focus on and conduct analysis and research on China, South Korea, and Japan, three representative countries in the East Asian Chinese character circle. It is committed to combining the experience advantages of the cultural industries of these three countries to propose a Chinese character cultural industry. The targeted countermeasures will make a contribution to promoting the development of the Chinese character culture industry in practice in the vast number of countries in the East Asian cultural circle. Although China, South Korea, and Japan in the East Asian cultural circle are all belong to the field of Chinese character culture and have many similarities in culture, there are great differences in the way of using Chinese characters. Therefore, for the development of the Chinese character culture industry, countries in the Chinese character culture circle should make efforts in four aspects. In view of the above policies, efforts should be made for the revitalization and development of the Chinese character culture industry according to the actual situation of each country. Humans have language, and language is the most basic information. Since modern times, some Chinese scholars have followed Saussure"s erroneous theory. It is hoped that from now on, China and all countries in the East Asian Chinese character culture circle can fundamentally continue to establish and further strengthen the character confidence and even cultural confidence in our East Asian script circle. Lu Jianming believes that global integration makes language an intangible resource that plays an increasingly important role in national economy and security.

목차

1. 前言
2. 东亚汉字文化产业发展现状
3. 东亚文化圈三国在汉字文化产业的开发方向与完善对策
4. 结论
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