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논문 기본 정보

자료유형
학술저널
저자정보
강영훈 (서울대학교) 김종선 (수원여자대학교)
저널정보
한국의류산업학회 한국의류산업학회지 한국의류산업학회지 제26권 제4호
발행연도
2024.8
수록면
301 - 313 (13page)

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초록· 키워드

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Fashion illustrations capture the artistic essence of fashion, going beyond simply conveying information about the clothing. Therefore, semiotic interpretations and approaches are quite essential to fully understand the meaning of fashion illustrations. However, studies on men's fashion illustrations are limited despite the significance of men's fashion in the market. This study aimed to address this gap by proposing a semiotic analysis method specifically for men's fashion illustrations by building on Morris's theory of semiotics and previous research. The study examined the visual aspects and structural meanings of these illustrations by analyzing aesthetic expressions at the syntactic level. At the semantic level, it explored the conceptual meanings tied to the representation of the human body and the symbolic meanings that reflect the cultural background of male society. At the pragmatic level, the study investigated the intended message of the author, considering both aesthetic and symbolic content values. The study confirmed that men's fashion illustrations not only convey information about clothing but they have also evolved into a form of visual art that conveys diverse meanings related to fashion, society, and culture through semiotic symbols. Men's fashion illustration has emerged as a unique domain that influences fashion consumption, shapes new lifestyles, and embodies socio-cultural interactions.

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