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커뮤니티
연구자들이 자신의 연구와 전문성을 널리 알리고, 새로운 협력의 기회를 만들 수 있는 네트워킹 공간이에요.
초록· 키워드
오류제보하기The Hyang-Ga was not only the first written form of poetry through Hyang-Chal which was the system of the Korean language, but also was a form of literature that existed from the unification of the three kingdoms (Ko-Ku-Ryo, Shilla, and Baek-Jae) till the middle period of Ko-Ryeo. We are left with fourteen Hyang-Ga from the era of Shilla that we can acquire from “Sam-Kuk-Yu-Sa”. These fourteen Hang-Ga are highly important cultural inheritance as the essence of our ancient literature since they portray the sentiments of our ancestors as they were. The traditions of such Hyang-Ga are being passed down to our generation through the form of Sok-Yo of Ko-Ryeo and Shi-Jo of Jo-Sun. Therefore, the Hyang-ga is the treasure-house of the Korean literature that continuous researches on findings of novel information and on new points of views are currently prevalent.
The literary oriented study of Hyang-Ga has been done in the following three perspectives. Firstly, Hyang-Ga has been considered to be some form of buddhist music. For the other perspective of studying Hyang-Ga, it has been considered to be some form of magical or supernatural music. However, ever since the hand-written transcription of “Hwa-Rang-Se-Ki” by Kim Dae Moon that was known to be missing was found in 1989, the academic efforts to approach Hyang-Ga through Hwa-Rang-Do have been increasing quite substantially. The “Hwa- Rang-Se-Ki” is now serving a much more important role as a tool for the literary study of Hyang-Ga.
The origin of Hwa-Rang-Do can be found in “Sun-Do” that was related to our unique religion called Pung-Ryu-Do. Originally, it was formed by a group of people with the purpose of performing religious service for the heaven and of maintaining sacred palaces. However, along with the dramatic development of Shilla, it began to be used as a mean of selection of fit persons for higher positions. Therefore, Hwa-Rang-Do can be divided into two groups: the people who are in pursuit of Sun-Do and the people who participate in the management of the country. In the early times, the Sun-Do group formed the mainstream but with the unification of the three kingdoms, the group of Hwa-Rangs who were related to the management of the country took over, transforming the nature of Hwa-Rang-Do.
We can see some aspects of speculation world of Hwa-Rang-Do through Hyang-Ga. The values of Hwa-Rang-Do were achieved by training themselves with morality, enjoying themselves with musical instruments, and seeking for scenic beauty. Benevolent premier officials and loyal subjects were the main objectives of Hwa-Rang-Do in order for them to realize their values in the real world. Therefore, we should be able to study Hyang-Ga in the above four categories.
Hwa-Rang-Do’s seeking for scenic beauty did not simply mean that they were taking trips to mountains and rivers. It was a complex activity in which they perform a religious service to the gods of mountains and rivers as well as they tried to train both bodies and spirits. It also was a somewhat military activity in which they try to reconnoiter the terrain for military purposes. Therefore, the places they visited did not simply have scenic beauty. Hwa-Rang-Do visited places that were believed to be sacred by Shilla people and they were places of strategic importance in terms of the military. “Hye-Sung-Ga” placed the Keum-Kang Mountains where Hwa-Rang-Do often visited to train their bodes and spirits as its background. There still are numerous places with names related to Hwa-Rang-Do in Keum-Kang Mountain.
목차
Ⅰ. 序言
Ⅱ. 先行硏究의 檢討
Ⅲ. 遊娛山水의 意味
Ⅳ. 巡禮의 노래 「彗星歌」
Ⅴ. 結言
참고문헌
Abstract
참고문헌 (49)
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