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연구자들이 자신의 연구와 전문성을 널리 알리고, 새로운 협력의 기회를 만들 수 있는 네트워킹 공간이에요.
초록· 키워드
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In recent years we have seen a historical person, Hwang Jini, being fictionalized. Among the novels written with her in them are 'Hwang Jini' by Hong Seokjung, ‘I, Hwang Jini' by Kim Takhwan, and ’Hwang Jini' by Jeon Gyeongrin. This paper will explore why recent writers enjoy Hwang Jini as the main character of their novels. And it is also to show what literary differences the recent works on Hwang Jini produce, compared to previous ones.
Many literary works on Hwang Jini have come out since Lee Taejun's ‘Hwang Jini' of the 1930s. However, most of them failed to achieve literary excellence and none of them break any new ground. Broadly speaking, these works are no more than different versions of ‘Hwang Jini' by Lee Taejun. It is noteworthy to see that these works fall short of literary distinction even though there are a great deal of works produced in the 1970s. In short, most of the works have failed to escape from the previously fixed image of Hwang Jini. The writers did not dig into Hwang Jini's life deeply enough to put her views on life and the world into their novels.
Against that backdrop, the time seems to have now arrived when writers wish to describe new images of Hwang Jini in their works. These new attempts are made possible by new literary understandings of Hwang Jini, theoretical advances in feminism, and fresh interpretations based on postmodernistic historical views. In a way, we can see that the recent works are trying to accomodate the new perspectives. Above all, Kim Takhwan attempts to break away from the typical view of Hwang Jini, and he considers her as a member of the Hwadam School, led by Seo Gyungdeok, by presenting plenty of historic materials about her.
This allows us to say that Kim Takhwan wins some points in the sense that he has created a new personality for Hwang Jini in his novel. However, it is hard to deny that his work smacks much of a research paper so that it is not completely successful in terms of its literariness. In the meantime, Jeon Gyeongrin, who is a female writer, puts a female perspective into her 'Hwang Jini' and creates a totally different picture of Hwang Jini. However, her strong inclination toward sensuality is another example of the way that authors have simplified the life and thoughts of Hwang Jini.
‘Hwang Jini' by Hong Seokjung, who is a North Korean writer, garners some success in terms of its fictionalization of Hwang Jini. Hong Seokjung achieves literary distinction in that his way of narration and aestheticism employs classic principles as well as new experimental styles in contrast to Kim Takhwan's excessiveness in postmodernism, and Jeon Gyeongrin's extremes in subjective consciousness. On the other hand, Hong's novel is not sufficient in that it tends to overemphasize the differences between social classes, which weakens the literary shaping of Hwang Jini. In this sense, his work still has some room for improvement.
Many literary works on Hwang Jini have come out since Lee Taejun's ‘Hwang Jini' of the 1930s. However, most of them failed to achieve literary excellence and none of them break any new ground. Broadly speaking, these works are no more than different versions of ‘Hwang Jini' by Lee Taejun. It is noteworthy to see that these works fall short of literary distinction even though there are a great deal of works produced in the 1970s. In short, most of the works have failed to escape from the previously fixed image of Hwang Jini. The writers did not dig into Hwang Jini's life deeply enough to put her views on life and the world into their novels.
Against that backdrop, the time seems to have now arrived when writers wish to describe new images of Hwang Jini in their works. These new attempts are made possible by new literary understandings of Hwang Jini, theoretical advances in feminism, and fresh interpretations based on postmodernistic historical views. In a way, we can see that the recent works are trying to accomodate the new perspectives. Above all, Kim Takhwan attempts to break away from the typical view of Hwang Jini, and he considers her as a member of the Hwadam School, led by Seo Gyungdeok, by presenting plenty of historic materials about her.
This allows us to say that Kim Takhwan wins some points in the sense that he has created a new personality for Hwang Jini in his novel. However, it is hard to deny that his work smacks much of a research paper so that it is not completely successful in terms of its literariness. In the meantime, Jeon Gyeongrin, who is a female writer, puts a female perspective into her 'Hwang Jini' and creates a totally different picture of Hwang Jini. However, her strong inclination toward sensuality is another example of the way that authors have simplified the life and thoughts of Hwang Jini.
‘Hwang Jini' by Hong Seokjung, who is a North Korean writer, garners some success in terms of its fictionalization of Hwang Jini. Hong Seokjung achieves literary distinction in that his way of narration and aestheticism employs classic principles as well as new experimental styles in contrast to Kim Takhwan's excessiveness in postmodernism, and Jeon Gyeongrin's extremes in subjective consciousness. On the other hand, Hong's novel is not sufficient in that it tends to overemphasize the differences between social classes, which weakens the literary shaping of Hwang Jini. In this sense, his work still has some room for improvement.
목차
1. 들어가며
2. 최근작 이전의 ‘황진이’ 소설과 문제점
3. 최근작 ‘황진이’ 소설의 특징과 새로움
4. 나가며
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