지원사업
학술연구/단체지원/교육 등 연구자 활동을 지속하도록 DBpia가 지원하고 있어요.
커뮤니티
연구자들이 자신의 연구와 전문성을 널리 알리고, 새로운 협력의 기회를 만들 수 있는 네트워킹 공간이에요.
초록· 키워드
오류제보하기
The purpose of this thesis is to explicate《Creation》and novel as a media, the process of canonization and the formation of reader focusing on the Oh the shallow of the heart! and The sorrow of the weak of Kim, Dong-in in the early 1920’s. Dong-in could make public the standpoint of the pure literature by making use of the literary coterie magazine and his fictions.
Of course, because of two reasons of the coterie magazine and works written by a mixed Style of Writing Korean and Chinese characters, It seemed that the reader who could understand the fiction remained in minor. However, in terms of situation that the illiteracy rate was extremely high, the literate stratum was likely to play the decisive role which conveyed culture. We can know the inner world of the modern man who expressed his inside through the reading-response like the reading the book and writing his impressions of the book. Writing on the inside world was naturally connected with the first person's style of confession, through that point, we are able to look into the private love and the expressed aspect of self consciousness. we can also examine that the western love stories which protagonists of new generation referred to were the preliminary level in listing the canon(classic) after that time.
In conclusion,《Creation》and Kim, Dong-in’s early two fictions of the 1920s were not only to mediate between the Sinsosel(new fiction of 1910s) and the popular novel of 1930s, but also to desire the formation of ‘literature-reader’ who understood fiction and reproduced the discourse of the pure literature.
Of course, because of two reasons of the coterie magazine and works written by a mixed Style of Writing Korean and Chinese characters, It seemed that the reader who could understand the fiction remained in minor. However, in terms of situation that the illiteracy rate was extremely high, the literate stratum was likely to play the decisive role which conveyed culture. We can know the inner world of the modern man who expressed his inside through the reading-response like the reading the book and writing his impressions of the book. Writing on the inside world was naturally connected with the first person's style of confession, through that point, we are able to look into the private love and the expressed aspect of self consciousness. we can also examine that the western love stories which protagonists of new generation referred to were the preliminary level in listing the canon(classic) after that time.
In conclusion,《Creation》and Kim, Dong-in’s early two fictions of the 1920s were not only to mediate between the Sinsosel(new fiction of 1910s) and the popular novel of 1930s, but also to desire the formation of ‘literature-reader’ who understood fiction and reproduced the discourse of the pure literature.
목차
1. 서론
2. 미디어로서의《창조》와 ‘소설’
3. 김동인의 독서 체험과 서구 연애소설의 소개
4. 소설을 통한 ‘문학 독자’의 형성
5. 결론
참고문헌
저자소개
[Abstract]
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UCI(KEPA) : I410-ECN-0101-2009-810-015552177