지원사업
학술연구/단체지원/교육 등 연구자 활동을 지속하도록 DBpia가 지원하고 있어요.
커뮤니티
연구자들이 자신의 연구와 전문성을 널리 알리고, 새로운 협력의 기회를 만들 수 있는 네트워킹 공간이에요.
이용수
초록· 키워드
오류제보하기
The repetition technique which appears here and there in Beckett's plays may embarass the audience who are familiar to the realistic plays composed on the basis of 'cause and effect'. Even though Beckett's plays are to be classified as absurd drama, it is difficult to find the clue with which the audience can understand the theme in the story of Beckett's plays. It is because Beckett himself endeavored to destroy the previous form of drama and create a new one through modernism. He boldly omitted or minimized the dialogue to develop the story, whereas his strategy could revive the theatrical elements on the stage. Escaping from the realism, which depends on language too much, he showed us versitile theatricality by means of the chemical fusion of sound effects, light, and movements.
In the viewpoint of Beckett, the naked people, facing the existential death, lead their deathlike static life with their illusive masks of civilization torn by the terrible reality. Beckett's characters, losing the religious faith, perform meaningless repetitive acts of ritual like their habits. In this paper, I don't intend to prove whether their salvation can be really achieved or not. The ritualistic acts without any possibility of salvation cannot evade the negative evaluation, but the origin of their lives should exist in their desperate quest for salvation. In this paper, I try to search for ritualistic elements that have made uncertain or transformed in the Beckett's plays, which can be shown in the form of only a few outlines and broken fragments. Modern people in Beckett's plays ought to have frightened the contemporary audience because they lost the identity and immersed in infantile games without knowing how to perform their sincere rituals. Furthermore, they cannot solve the problem of boredom of life with their meaningless games. Notwithstanding, we must create a new meaning from their horrible battle against enormous void by seeking the old form of ritual hidden in the grotesque acts of Beckett's characters.
In the viewpoint of Beckett, the naked people, facing the existential death, lead their deathlike static life with their illusive masks of civilization torn by the terrible reality. Beckett's characters, losing the religious faith, perform meaningless repetitive acts of ritual like their habits. In this paper, I don't intend to prove whether their salvation can be really achieved or not. The ritualistic acts without any possibility of salvation cannot evade the negative evaluation, but the origin of their lives should exist in their desperate quest for salvation. In this paper, I try to search for ritualistic elements that have made uncertain or transformed in the Beckett's plays, which can be shown in the form of only a few outlines and broken fragments. Modern people in Beckett's plays ought to have frightened the contemporary audience because they lost the identity and immersed in infantile games without knowing how to perform their sincere rituals. Furthermore, they cannot solve the problem of boredom of life with their meaningless games. Notwithstanding, we must create a new meaning from their horrible battle against enormous void by seeking the old form of ritual hidden in the grotesque acts of Beckett's characters.
목차
등록된 정보가 없습니다.
참고문헌 (0)
참고문헌 신청함께 읽어보면 좋을 논문
논문 유사도에 따라 DBpia 가 추천하는 논문입니다. 함께 보면 좋을 연관 논문을 확인해보세요!
-
Beckett의 작품에 나타나는 반복의 문제 : "부재"(不在)와의 관계를 중심으로
현대영미드라마
1999 .11
-
Beckett's Players are "not there"
현대영미드라마
1992 .08
-
Visual Beckett
신영어영문학
2009 .08
-
사무엘 베케트의 『놀이의 끝Fin de partie』의 극작법 전략
외국문학연구
2001 .06
-
Ambiguous Stage : Beckett's Scenography
현대영미드라마
2006 .04
-
무대 위에 연출된 체화된 기억 : 사무엘 베케트의 기억에 관한 드라마
현대영미드라마
2010 .04
-
비전에서 체화된 비전으로: 노울슨에서 맥뮬런으로 이어지는 베케트 연극미학론의 계보 분석
현대영미드라마
2019 .12
-
Samuel Beckett and Biography: ThreeBiographies and Krapp's Last Tape
영어영문학연구
2006 .01
-
베케트 극의 연극성 : 후기 극을 중심으로
새한영어영문학
2002 .06
-
Beckett의 'nothing'과 Pinter의 'anything' 비교
현대영미드라마
1997 .08
-
Catastrophe : Beckett's Individualist Politics Manifested
현대영미드라마
2005 .04
-
All That Fall에 나타난 움직임과 언어의 무의미성 연구
현대영미드라마
2001 .10
-
Dramatizing Performance in Beckett's Plays
새한영어영문학회 학술발표회 논문집
2001 .10
-
사무엘 베켓의 평론을 통해 본 그의 작품세계
현대영미드라마
2005 .08
-
사무엘 베켓의 정치성
현대영미드라마
2006 .12
-
진리의 윤리학과 벌거벗은 생명 : 바디우와 베케트
현대영미드라마
2011 .08
-
사무엘 베켓의 메타드라마적 전략 : 『엔드게임』을 중심으로
새한영어영문학
2002 .11
이 논문의 저자 정보
이 논문과 함께 이용한 논문
무대 위에 연출된 체화된 기억 : 사무엘 베케트의 기억에 관한 드라마
이강임
현대영미드라마
2010
.04
아도르노의 미학이론과 베케트 : ‘부정사유’와 ‘자율적 예술의 정치성
윤화영
현대영미드라마
2010
.04
들뢰즈와 베케트의 이미지에 대한 사유 : 베케트의 텔레비전 드라마 . . .but the clouds. . .와 Nacht und Träume를 중심으로
윤화영
현대영미드라마
2003
.08
체호프 드라마의 음악성
오종우
한국노어노문학회 학술대회 발표집
1999
.04
체호프의 극작술로 The Young Man from Atlanta 읽기 : 사이와 무대 뒤 효과를 중심으로
정윤길
현대영미드라마
2014
.12
최근 본 자료
댓글(0)
0
UCI(KEPA) : I410-ECN-0101-2009-842-015564651