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연구자들이 자신의 연구와 전문성을 널리 알리고, 새로운 협력의 기회를 만들 수 있는 네트워킹 공간이에요.
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Wuthering Heghts is the only novel written by Emily Bronte, and it remains a literary masterpiece at that. Why this fiction appeals to readers' emotion, however, has remained a mystery to many critics since its publication. Mysteries are there to be solved, and this mystery involving the fiction has also to be solved.
One way of solving the mystery can be found in reading Lockwood's three dreams, or rather nightmares. As the narrator of the novel, he can be seen as the alter ego of the author. We can say this because Lockwood's personality as a recluse is very similar to that of the writer. Therefore, the three consecutive nightmares that Lockwood has can be interpreted as revealing the writer's anxiety of writing. Lockwood in his nightmares vicariously reveals Bronte"'s uneasiness as a woman novelist.
The first nightmare Lockwood has is conserned with Bronte's anxiety of identity as a woman writer in the 19th century Britain. In this dream Lockwood encounters mysterious variations on Catherine's name. Name is the symbolic marker in entering the symbolic order, and the repetition of Catherine's name shows the anxious nature of Bronte's writing as a woman writer.
In his second dream Lockwood fights over a cane with Joseph. This fight symbolizes Bronte's struggle for a right to writer's discourse. This struggle is also vicariously performed by Lockwood.
In the third dream Lockwood has reluctantly been possessed by the ghost of young Catherine who has been wandering in the moor. By being possessed by Catherine he has gained the right to her tragic love story. What is interesting is that both Catherine and Heathcliff are the abject according to Kristeva's psychoanalytic theory. The reason why the fiction is so gripping is that the abject(Catherine and Heathcliff) are appealing to the hidden side of the readers' unconscious. In this way Bronte shows that she is a very good psychologist delving very deep into the unconscious of her own as well as that of her readers.
One way of solving the mystery can be found in reading Lockwood's three dreams, or rather nightmares. As the narrator of the novel, he can be seen as the alter ego of the author. We can say this because Lockwood's personality as a recluse is very similar to that of the writer. Therefore, the three consecutive nightmares that Lockwood has can be interpreted as revealing the writer's anxiety of writing. Lockwood in his nightmares vicariously reveals Bronte"'s uneasiness as a woman novelist.
The first nightmare Lockwood has is conserned with Bronte's anxiety of identity as a woman writer in the 19th century Britain. In this dream Lockwood encounters mysterious variations on Catherine's name. Name is the symbolic marker in entering the symbolic order, and the repetition of Catherine's name shows the anxious nature of Bronte's writing as a woman writer.
In his second dream Lockwood fights over a cane with Joseph. This fight symbolizes Bronte's struggle for a right to writer's discourse. This struggle is also vicariously performed by Lockwood.
In the third dream Lockwood has reluctantly been possessed by the ghost of young Catherine who has been wandering in the moor. By being possessed by Catherine he has gained the right to her tragic love story. What is interesting is that both Catherine and Heathcliff are the abject according to Kristeva's psychoanalytic theory. The reason why the fiction is so gripping is that the abject(Catherine and Heathcliff) are appealing to the hidden side of the readers' unconscious. In this way Bronte shows that she is a very good psychologist delving very deep into the unconscious of her own as well as that of her readers.
목차
1. 시작하는 말
2. 이름, 악몽, 그리고 문자로 된 무의식의 텍스트: 록우드의 첫 번째 꿈 읽기
3. 가부장제에서 여성 작가가 가지는 글쓰기에 대한 불안: 록우드의 두 번째 꿈 읽기
4. 록우드와 미추(未追/未醜)와의 접신
5. 채록자/서술자로서의 록우드
6. 맺는 말
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