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자료유형
학술저널
저자정보
저널정보
중앙어문학회 어문론집 語文論集 第31輯
발행연도
2003.12
수록면
163 - 187 (25page)

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초록· 키워드

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Jeong Ji-yong’s poetic diction ushered the world of poetry in a new phase in 1930s, causing a continuous and radical change in poetic wording. This was because of Ji-yong’s unique sensibilities. The reason why Ji-yong has been well known to every poet after him seemed to be in that, by means of wording revolution, he has highly accomplished the innovation and materiality of poetic diction, rather than his keen sense remained in the dimension of sensibility. Creating implicative and sensitive poetic diction, in addition to the concentration and symbolization of it through materialization, his poetic consciousness gradually internalized and advanced toward self-gazing.
The innovation and materiality of poetic diction in his poems was different from others. He was successful in describing modern things with his poetic diction, by means of introducing strange poetic wording into his poems and of refining it. And the fine sensitive diction helped make his poetic image clear and agreeable. Ji-yong’s hometown had different looks from those of other poets. He sometimes ran after a heart-rending and well-harmonized hometown. But in reality he expected not a utopia but a dynamically-changing one, which kept pace with the changing situation of the world. Ji-yong’s understanding of things began with the freshness of senses. Primarily expressing tactual and visual images, which moved swiftly, he added freshness to his poems. His unfamiliarity of senses directed his poems to the highly advanced state of materiality. Furthermore, as he described modern things, his sensitively internalized self-gazing shaped his poetic consciousness, and achieved a dictional revolution.
However, there are many objections among literary critics in decoding his poetic words, more scrupulous examinations on the poetic consciousness and materiality, Ji-yong’s poetic diction has, should be progressed in the future, focusing on dialects and native tongues.

목차

Ⅰ. 서론
Ⅱ. 정지용과 근대적 풍물의 체험
Ⅲ. 정지용의 시의식과 형상성
Ⅳ. 결론
參考 文獻
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