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자료유형
학술저널
저자정보
저널정보
문학과환경학회 문학과환경 문학과환경 제5권 1호
발행연도
2006.6
수록면
89 - 113 (25page)

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초록· 키워드

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‘Anthropocentrism’ that mankind has looked themselves as a center of all-creatures as an advance guard point of capitalism has put Nature on a subordinate rank, and destructed ecological system under the name of civilization incessantly. Accordingly, it is the first task to correct wrong view point of mankind on modernized civilization for the recovery of ecological system.
In this respect, this study is to analyse eco-poetical symbolic meaning of animals as a archetype of mankind poetized in the German Heramnn Hesse’s novels, lyrics and fairy stories and Korean Jeong Ho-Seung’s lyrics and ‘fairy stories for the adult’. Especially, it is very notable that these poets express a will to recover pure and innocent archetype of lost mankind because of fetishism in the modernized industrial age through the form of a fairy story. Hesse criticizes ‘development concept’ rooted in nature-destructive civilization through paradoxical and provocative poetic words in “City”and “Bird” etc.
On the other hand, even though Jeong sneers the men who are to be inferior to a bird and a dog through ironical words in several poems such as “Fortune-telling Bird”, his poetic selves personified animals such as bird, butterfly, chestnut-worm and shrimps etc. in the most of poems and fairy stories try to transcend limits of absurd modern mankind who has an egoistic and anti-ecological attitude toward Nature. Above all, 'bird' has a role of the herald who has a desire to recover archetype of mankind and turn it into a warm-hearted one through an endless love.

목차

1. 들어가는 말
2. 신화적 존재로서의 동물
3. ‘탈(脫)인간’으로서의 비상 욕구
4. 맺는 말
〈인용문헌〉
〈Abstract〉

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