지원사업
학술연구/단체지원/교육 등 연구자 활동을 지속하도록 DBpia가 지원하고 있어요.
커뮤니티
연구자들이 자신의 연구와 전문성을 널리 알리고, 새로운 협력의 기회를 만들 수 있는 네트워킹 공간이에요.
초록· 키워드
오류제보하기
Even though “Pungyo” has been regarded as a folk song because of it’s repeated pattern of poetic words and the narrative records in 『Samgukyusa』, a study on ‘Pungyo’ has been neglected in terms of oral tradition, form and subject matters as a folk song. On this account, it has not been easy to examine unique quality of “Pungyo” such as folk song as it was, the transformation song or Buddhistic song which was written by Yang-ji on purpose.
“Pungyo” has a distinctive features which is that has been orally transmitted for a long time before it has recorded by a letter, and it was written down with a related narratives as well. So, in order to clarify the negotiation between “Pungyo” and folk song, custom of narrative and alteration of oral tradition to oral to written forms should be carefully examined. Because it might be explained as a transformation and consistency that made “Pungyo” alive for a long period of time as a motivation of transmission.
First of all, the narration of Buddhist priest “Yang-ji” was described on the base of real historical fact. However, it can’t be ignored that there is a personal intervention and interpretation about him. The story was reinforced and pointed out the fact that nonetheless Buddhist priest “Yang-ji” had a super-talented on artistic works, his academic power and buddhistic virtue should be evaluated higher than other talent of his. This narrative attitude could be regarded as a unique character of narration. Based on the Buddhist Shini(mysterious power), genuine figure of the priest “Yang-ji”was delivered through a personal approach.
Secondly, The main feature of “Pyungyo” as a folk song could be explained such as repetition and parallel of words, form of exchanging songs, persuasion suffix and unified suffixes. With this distinctive features, “Pyungyo” seemed to had been rearranged and transformed. Refined four line Hyangga form and polished writings that mainly express literal thinking more than oral transmission might explain the evidence of transformation. The words like “來女” “哀” “功德” “多羅”also imply Buddhist images and messages as a words play. In conclusion, the attitude toward to the acception of folk song and narrative was mainly focused on the solidification of Buddhistic power and expansion.
Finally, “Pyungyo” had utilized folk song, however, the way of utilization was a polished and refined words and formation. Through this well-arranged transformation, personal suffering was relieved and dissolved as a shared-public matters. This process implies a main character of ancient thought and enjoyment of classic literature.
“Pungyo” has a distinctive features which is that has been orally transmitted for a long time before it has recorded by a letter, and it was written down with a related narratives as well. So, in order to clarify the negotiation between “Pungyo” and folk song, custom of narrative and alteration of oral tradition to oral to written forms should be carefully examined. Because it might be explained as a transformation and consistency that made “Pungyo” alive for a long period of time as a motivation of transmission.
First of all, the narration of Buddhist priest “Yang-ji” was described on the base of real historical fact. However, it can’t be ignored that there is a personal intervention and interpretation about him. The story was reinforced and pointed out the fact that nonetheless Buddhist priest “Yang-ji” had a super-talented on artistic works, his academic power and buddhistic virtue should be evaluated higher than other talent of his. This narrative attitude could be regarded as a unique character of narration. Based on the Buddhist Shini(mysterious power), genuine figure of the priest “Yang-ji”was delivered through a personal approach.
Secondly, The main feature of “Pyungyo” as a folk song could be explained such as repetition and parallel of words, form of exchanging songs, persuasion suffix and unified suffixes. With this distinctive features, “Pyungyo” seemed to had been rearranged and transformed. Refined four line Hyangga form and polished writings that mainly express literal thinking more than oral transmission might explain the evidence of transformation. The words like “來女” “哀” “功德” “多羅”also imply Buddhist images and messages as a words play. In conclusion, the attitude toward to the acception of folk song and narrative was mainly focused on the solidification of Buddhistic power and expansion.
Finally, “Pyungyo” had utilized folk song, however, the way of utilization was a polished and refined words and formation. Through this well-arranged transformation, personal suffering was relieved and dissolved as a shared-public matters. This process implies a main character of ancient thought and enjoyment of classic literature.
목차
Ⅰ. 머리말
Ⅱ. 신이한 불교영험과 전승력
Ⅲ. 민요의 수용과 변이로서의 〈풍요〉
Ⅳ. 맺는말
〈참고문헌〉
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UCI(KEPA) : I410-ECN-0101-2009-673-017603521