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자료유형
학술저널
저자정보
저널정보
19세기영어권문학회 19세기 영어권 문학 19세기 영어권 문학 제11권 1호
발행연도
2007.2
수록면
83 - 111 (29page)

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The historical approach of British Romantic studies has overlooked that the Abolition Movement partly contributed to the making of the British Romantic poetry. However, the Romanticism and the Abolition Movement not simply coincide in the rising time, but share some common thematic perceptions like “slave”, “tyranny”, “oppression”, and “emancipation.” The early romantics were in a way or another against slavery system and slave-trade, and especially Coleridge was deeply involved in the British slave-trade abolition campaigns and developed his arguments against the slave-trade in his many works.
Trying to cope with the guilty feeling for British government's historical crimes of the slavery and the slave-trade, Coleridge shows what the fundamental causes of such crimes are and how he can be removed from such feeling, which are the backbone of his poetic practice. Through “the Lecture on the Slave-Trade,” Coleridge insists “human imagination capacity” is the only and basic solution to abolish slave-trade because it is rooted in human endless imagination capacity and unnecessary greed, but paradoxically the imagination itself also can be the starting point to express “the natural sympathy” for the others, the oppressed and the black slaves. And in his famous poetry, “The Ancient Mariner”, Coleridge expands his own thinking and theory on human imagination and the slave-trade. His thinking that the most important key point for the abolition of the slave-trade is human “sympathy” which is only possible through the human imagination makes his unique poetics of romantic imagination.

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Ⅰ. 들어가며
Ⅱ. 타자적 상상력으로 바라본 노예무역의 실상
Ⅲ. 죄의식의 탐색
Ⅳ. 낭만적 상상력의 시학?죄의식으로부터의 구원 가능성
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