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커뮤니티
연구자들이 자신의 연구와 전문성을 널리 알리고, 새로운 협력의 기회를 만들 수 있는 네트워킹 공간이에요.
초록· 키워드
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〈Im, Geo-Jung〉 has effectively settled a conflict between the aristocratic class and the commoners, as with the case with Lee, Jang-Gon, an aristocrat and commoner, and Yang, Ju-Pal who was a commoner but more than an aristocrat. The protagonist, Im, Geo-Jung shows the potential and healthiness of the people by his ambivalent personality. So, it was naturally showing how inhumane feudalism-based discrimination of classes were, and why it had to inevitably change.
Also, the author, Hong, Myong-hee, the basis of the ambivalence, shows an ambivalent perspective. He was a devotee of folk awareness and owner of aristocratic consciousness at the same time, and a communist and nationalist. The cause for this ambivalent perspective was not only that he was a progressive, open-minded person, but also did not denied his background as an aristocrat, and that his father, who died for the nation was his continuous role model. Therefore, he was able to intermediate the paradox of the time, better than anyone else.
Based on this ambivalence, 〈Im, Geo-Jung〉 was able to pursue the route to liberation, a salvation of the entire Korean people, not biased on any one side under Japanese rule. And it was showing it through the ambivalence of a polyphonic, deviative carnival. In these aspects, 〈Im, Geo-Jung〉, based on an aesthetic sense of people, was a epochal work that opened a new side of folk literature.
Also, the author, Hong, Myong-hee, the basis of the ambivalence, shows an ambivalent perspective. He was a devotee of folk awareness and owner of aristocratic consciousness at the same time, and a communist and nationalist. The cause for this ambivalent perspective was not only that he was a progressive, open-minded person, but also did not denied his background as an aristocrat, and that his father, who died for the nation was his continuous role model. Therefore, he was able to intermediate the paradox of the time, better than anyone else.
Based on this ambivalence, 〈Im, Geo-Jung〉 was able to pursue the route to liberation, a salvation of the entire Korean people, not biased on any one side under Japanese rule. And it was showing it through the ambivalence of a polyphonic, deviative carnival. In these aspects, 〈Im, Geo-Jung〉, based on an aesthetic sense of people, was a epochal work that opened a new side of folk literature.
목차
Abstract
1. 머리말
2. 신분의 양가성
3. 성격의 양가성
4. 작가의 양가적 시각
5. 맺음말
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UCI(KEPA) : I410-ECN-0101-2009-710-016187620