지원사업
학술연구/단체지원/교육 등 연구자 활동을 지속하도록 DBpia가 지원하고 있어요.
커뮤니티
연구자들이 자신의 연구와 전문성을 널리 알리고, 새로운 협력의 기회를 만들 수 있는 네트워킹 공간이에요.
초록· 키워드
오류제보하기
On December 27th 1972, in South Korea, Park Jeong Hee was elected as president from the Tong-Il-Chu-Che-Guk-Min-Hae-Ie and the Constitution for Revitalizing Reform was announced. On December 25th 1972, North Korea also announced a new constitution and Kim-Il-Seong became the chief. By chance both South and North Korea's power structure has reorganized in the same period. How could this kind of control system under one person take place?
The cause can be found in the world's situation such as the end of the cold war. The change of the world's situation was a threat to the people in power who retained their power through showing hostility towards the ideology that differed from theirs. So the South and North powers seemed to relieve tension between themselves, but in the inside they were trying hard to retain their power structure and ideology.
Especially to make the Yoo-Shin administration solid they spread out the anticommunist ideology and had do justify their political power. In the 1970's most of the policies regarding cinema was to support the Yoo-Shin system. As a result various policies and systems regarding cinema were established. All the policies regarding cinema during the 70's Yoo-Shin administration period including inspections had the aim of marketing the administration and to dull the criticism. Therefore the anticommunism movies, Sae-Ma-Eul movies, movies for publicity and the various commercial movies that dulled the criticism were all influenced by the 70?s policies to stable Park Jeong Hee's political power.
In the 1970's North Korea also used cinema as a way of strengthening Kim-Il-Seong's political power. In 1967 they went through political conflicts and house cleanings against the Kap-San party, and the change of the diplomatic policies between Soviet and China on the Korean peninsula made Kim-Il-Seong to solidify his power and pursuit new characteristics in politics and society. The goal was to give Kim-Il-Seong absolute power and make Kim-Jeong-Il the successor and to do that they spread out the Chu-Che theory, To strengthen the Chu-Che theory, North Korea needed systematic support on their culture and art theories and policies, That was to make their literary art theories based on the Chu-Che theory.
Thus most of the movies made in South and North Korea during the 1970' s was to cope with the radical change in the worlds situation by emphasizing race and guarding the system. It justified Park-Jeong-Hee and Kim-Il-Seong's effort to solidify their power. To strengthen the power structure new theories and policies were demanded strongly and to spread them out cinema was used effectively. Thus despite the characteristics, of South and North Korean cinema in the 1970's, differ in content and form, the goal that cinema was used to solidify each countries political power is similar and the features and characteristics of those movies were established in this historical transition period.
The cause can be found in the world's situation such as the end of the cold war. The change of the world's situation was a threat to the people in power who retained their power through showing hostility towards the ideology that differed from theirs. So the South and North powers seemed to relieve tension between themselves, but in the inside they were trying hard to retain their power structure and ideology.
Especially to make the Yoo-Shin administration solid they spread out the anticommunist ideology and had do justify their political power. In the 1970's most of the policies regarding cinema was to support the Yoo-Shin system. As a result various policies and systems regarding cinema were established. All the policies regarding cinema during the 70's Yoo-Shin administration period including inspections had the aim of marketing the administration and to dull the criticism. Therefore the anticommunism movies, Sae-Ma-Eul movies, movies for publicity and the various commercial movies that dulled the criticism were all influenced by the 70?s policies to stable Park Jeong Hee's political power.
In the 1970's North Korea also used cinema as a way of strengthening Kim-Il-Seong's political power. In 1967 they went through political conflicts and house cleanings against the Kap-San party, and the change of the diplomatic policies between Soviet and China on the Korean peninsula made Kim-Il-Seong to solidify his power and pursuit new characteristics in politics and society. The goal was to give Kim-Il-Seong absolute power and make Kim-Jeong-Il the successor and to do that they spread out the Chu-Che theory, To strengthen the Chu-Che theory, North Korea needed systematic support on their culture and art theories and policies, That was to make their literary art theories based on the Chu-Che theory.
Thus most of the movies made in South and North Korea during the 1970' s was to cope with the radical change in the worlds situation by emphasizing race and guarding the system. It justified Park-Jeong-Hee and Kim-Il-Seong's effort to solidify their power. To strengthen the power structure new theories and policies were demanded strongly and to spread them out cinema was used effectively. Thus despite the characteristics, of South and North Korean cinema in the 1970's, differ in content and form, the goal that cinema was used to solidify each countries political power is similar and the features and characteristics of those movies were established in this historical transition period.
목차
Ⅰ.
Ⅱ. 남, 북한의 권력구조 변화와 영화
Ⅲ. 새로운 영화 정책과 이론
Ⅳ. 정책과 이론에서 실천으로
Ⅴ.
참고문헌
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