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Tomoyoshi Murayama(1901~1977) was a cultural artist, who had made great steps in diverse fields such as play, literature, film, and art. He was so famous enough to be called "Da Vinci in Japan". Having affection to Korea and Korean, he was a progressive highly educated artist who had done everything he could do to keep traditional Korean culture with his own way. He had been so closely related to Korea that he visited Korea three times in 1938 and he stayed for almost a whole year in Seoul in 1945. Furthermore in 1938 he brought the traditional Korean classical play 〈Chunhyangjeon〉 into the stage.
The most important factor in Tomoyoshi Murayama's progressive play movement was a people. He directly went into Korean people and understood Korean culture and did his best to preserve the vanishing Korean culture under Japanese control. Through the literature works containing fondness of Korea, by communications and transactions with Koreans, first and foremost with the performance of plays, he had looked for real solidarity between Korean culture and Japanese culture. Therefore he was not only a precious artist at that time but also he is precious today.
The most important factor in Tomoyoshi Murayama's progressive play movement was a people. He directly went into Korean people and understood Korean culture and did his best to preserve the vanishing Korean culture under Japanese control. Through the literature works containing fondness of Korea, by communications and transactions with Koreans, first and foremost with the performance of plays, he had looked for real solidarity between Korean culture and Japanese culture. Therefore he was not only a precious artist at that time but also he is precious today.
목차
1. 무라야마를 바라보는 엇갈린 시선
2. 무라야마의 삶과 진보적 연극운동
3. 조선(인)과의 만남
4. 조선문화와 일본문화의 접점을 찾아서
5. 내적 망명으로서의 조선행
6. 무라야마가 남긴 유산
Abstract
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UCI(KEPA) : I410-ECN-0101-2010-905-002003844