메뉴 건너뛰기
.. 내서재 .. 알림
소속 기관/학교 인증
인증하면 논문, 학술자료 등을  무료로 열람할 수 있어요.
한국대학교, 누리자동차, 시립도서관 등 나의 기관을 확인해보세요
(국내 대학 90% 이상 구독 중)
로그인 회원가입 고객센터 ENG
주제분류

추천
검색
질문

논문 기본 정보

자료유형
학술저널
저자정보
저널정보
한국현대영미드라마학회 현대영미드라마 현대영미드라마 제22권 제2호
발행연도
2009.8
수록면
5 - 38 (34page)

이용수

표지
📌
연구주제
📖
연구배경
🔬
연구방법
🏆
연구결과
AI에게 요청하기
추천
검색
질문

초록· 키워드

오류제보하기
This study examines the condition of life of Asian diaspora who are displaced from home in Ralph Pena’s Flipzoids and Sung Rno’s Cleveland Raining. Specifically it aims to explore the aesthetics of displacement which are embodied in Asian diaspora’s constant struggle to imagine and seek home expressed through unrealistic theatrical structure, dramatic devices, dramatic form, and languages. In Flipzoids, the sea replaced by a big water basin emphasizes the alienation of Filipino diaspora from the US mainstream and their disconnection from the Philippines. Although Aying can revive her home while she touches the sea, Redford who is 1.5 generation, cannot configure any kind of home. His sense of displacement becomes palpable when he aspires to communicate with people in a narrow public toilet. Like Redford, who does not have cultural basis for forming a sense of home, Jimmy and Mari in Cleveland Raining, who live in a remote house in Ohio, try to find home. However, for them, there is not any form of home. This sense of displacement is represented in the theatrical space in which there are not any specific props except a Volkswagen, a vehicle for moving.
Asian diaspora’s being displaced from home in the two plays is also highlighted through language issues. For diaspora who left their homeland and adopted a new home, bilingualism is necessary. However, they find that English cannot be a medium by which they express their internal selves. Neither do they know their native language, which might help them to configure home. As a result, their languages cannot exert power but become fragmentary.
Both Filipino diaspora and Korean diaspora represent their being displaced from home through remembering or imagining of home or leaving the present home. Redford in Flipzoids constantly imagines a space which he can belong; on the other hand, Jimmy prepares to leave the present home during the play by converting a Volkswagen into a floating car in the water and starts to travel at the end. These vigorous actions signify their resistance against the U.S. mainstream society which excludes racial minorities. They do not conceptualize the U.S. as their new home. Therefore their persistent pursuit of home and acceptance of displacement as their mode of life imply the political significance.

목차

Ⅰ. 들어가며
Ⅱ. 아시아 디아스포라의 탈식민적 곤경과 탈장소 상황
Ⅲ. 탈장소의 극적 공간: 해변, 화장실, 폭스바겐
Ⅳ. 언어 형식을 통한 탈장소 구현: 추방된 모국어와 불완전한 영어
Ⅴ. 탈장소 미학의 정치성
Ⅵ. 나가며
Works Cited
Abstract

참고문헌 (21)

참고문헌 신청

함께 읽어보면 좋을 논문

논문 유사도에 따라 DBpia 가 추천하는 논문입니다. 함께 보면 좋을 연관 논문을 확인해보세요!

이 논문의 저자 정보

이 논문과 함께 이용한 논문

최근 본 자료

전체보기

댓글(0)

0

UCI(KEPA) : I410-ECN-0101-2009-842-018841079