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논문 기본 정보

자료유형
학술저널
저자정보
저널정보
고려대학교 한국학연구소 한국학연구 한국학연구 제18집
발행연도
2003.6
수록면
171 - 194 (24page)

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초록· 키워드

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'December 12' that is foremost work of Lee-sang is work that the meaning is detected as the event that is death is repeated. Life and death that is formed through death that occur on person's surrounding of master X and, writer's attitude about fate interacts to kingpin that accomplish stratum of work more than after this. Have much research to see 'December 12' as starting point and last point of Lee-sang's literature on this account. This work more than various kinds element that accomplish spiritual origin being starting point of that write on whole book of novel imply. It appears to zip through attitude that receive deep sense of futility about life, confrontation will about life to overcome this sense of futility, and fate that is started from problem of death and suicide. Nothing but this element differs arrangement of the event as stratum that accomplish whole book of Lee-sang's novel, become complicated by single trunk. A writer of to write mind to dimension of 'Origin' retroact because work that have reconstructed production methodology formation previous spiritual experience that show being repeated as diagnostic in the writer's all work that is work that distinguish be. In such meaning 'December 12' Lee-sang's literary to write work that is looking like announce state of origin for whole body comparatively be.
'December 12' shows that nihilistic awareness about life brings tragic close. It is work that extremely weird death struggle of master to escape repeated death and this does not charge any payment. Also, 'December 12' is work that earth of confrontation about life to overcome deep sense of futility and this sense of futility about life that is started from problem of death and suicide does not find way out and show state of captured subject that wander.

목차

1. 머리말
2. 창작 방법으로서의 역설(Paradoxa)
3. 삶과 죽음 그리고 재생의 의미
4. 결론
Abstract

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