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자료유형
학술저널
저자정보
나민애 (서울대학교)
저널정보
한국현대문학회 한국현대문학연구 한국현대문학연구 제32집
발행연도
2010.12
수록면
371 - 408 (38page)

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초록· 키워드

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This study purposed to prove the meaning and development process on the Generation Debate of poetical circles in the last-1930's. Based on the history of criticism in korean literature, the importance of Generation Debate in the last-1930's has been generally recognized. Up to the present, attention of study on the Generation Debate in the last-1930's was centered upon novel circles. But there was Generation Debate not only in novel circles, but also in poetical circles. And this Generation Debate in poetical circles express a important reaction to the 'distinct characteristics in Joseon-literature'.
Generation Debate of poetical circles has begun from critics of Lim, Wha. He had a negative position on the new figures, but specially expressed an positive attitude to some poets, that is Oh, Jang-whan, Kim, Kwang-gyun, Yoon, Gon-gang. His attitude had a special purpose to earn back a essence of Modernism literature by helping some new poet to real generation representative. So he bitterly criticized Jeong, Ji-yong and new poets of 『Mun-jang』 magazine. But new poets of 『Mun-jang』 magazine gave their opinion by repute to Lim, Wha's critics.
Actually this generation Debate of poetical circles was confrontation between Lim, Wha and Jeong, Ji-yong. And this opposition occurred from differences about 'who is the real new leader of new generation' and 'what's the new poetry spirit'. Lim, Wha regarded historicity and the sense of the tines as important with the object of succession of Modernism On the other hand Jeong, Ji-yong and new poets of 『Mun-jang』 magazine considered they would overcome a crisis of Joseon-literature through a pursuit on essential artistry. We can find comprehension and changing process of the time on concept of Modernism and concept of poetry from this Generation Debate of poetical circles.

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〈국문초록〉
1. 1930년대 시단의 세대논쟁에 대한 재고찰
2. 논쟁의 배경과 모더니즘의 재생 시도 - 임화의 경우
3. 논쟁의 전개상황과 시의 예술성 옹호 - 정지용, 김종한의 경우
4. 자기반성을 통한 ‘조선시’의 추구 - 오장환, 박남수, 박두진, 김광균
5. 결론 - 두 문학정신의 충돌이 가진 의의
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UCI(KEPA) : I410-ECN-0101-2012-810-004152180