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학술연구/단체지원/교육 등 연구자 활동을 지속하도록 DBpia가 지원하고 있어요.
커뮤니티
연구자들이 자신의 연구와 전문성을 널리 알리고, 새로운 협력의 기회를 만들 수 있는 네트워킹 공간이에요.
초록· 키워드
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Kim, Gyu-Dong is a very unusual poet who has transformed into a dynamic process about his poetry. He was a very well known modernist when he took an active part of the 1950's modernism coterie 'Hubangee . However, in the 1970's, he changed himself as a socialized poet. I took care that realistic attitude he had shown in the 1950's and studied about it. I found the special point where the modernist Kim, Gyu-Dong had met the realist himself is shown in the connection between the poetry and the film.
As everyone knows, Kim, Gyu-Dong prefer the automatism of surrealism as a method writing poem. And Kim, Gyu-Dong also had an inclination for the film Avant-Garde. Because the automatism of surrealism and the film Avant-Garde have the common theoretical base with the Freud's psychoanalysis.
A lot of poems written by Kim. Gyu-Dong in the Korean war period show us special feature taking surrealism technique and the sense of the film Avant-Garde. He tried out express about the desperation and pain of the Korean people lived in that same period with his poems. But unfortunately, some several poems lost the critical mind and fell to nihilism.
Kim, Gyu-Dong wanted to resist to the Korean social contradictions and conflicts continuedly. So he of course chose the more realistic writing method and concerned with the film Neo-Realism. He described some kind of the Nee-Realism character and circumstance in his poems for example 〈acrobat〉, 〈small hand〉. He described them as like using camera of the Neo-Realism film for presentation the problem of Korean 1950's society and community. And That's why he was very interested on the film Neo-Realism. So we can realize the true that his 1950's poetry had obvious inclination of realism already. It explains us about the connection between Kim, Gyu-Dong s 1950's poetry and 1970's poetry.
As everyone knows, Kim, Gyu-Dong prefer the automatism of surrealism as a method writing poem. And Kim, Gyu-Dong also had an inclination for the film Avant-Garde. Because the automatism of surrealism and the film Avant-Garde have the common theoretical base with the Freud's psychoanalysis.
A lot of poems written by Kim. Gyu-Dong in the Korean war period show us special feature taking surrealism technique and the sense of the film Avant-Garde. He tried out express about the desperation and pain of the Korean people lived in that same period with his poems. But unfortunately, some several poems lost the critical mind and fell to nihilism.
Kim, Gyu-Dong wanted to resist to the Korean social contradictions and conflicts continuedly. So he of course chose the more realistic writing method and concerned with the film Neo-Realism. He described some kind of the Nee-Realism character and circumstance in his poems for example 〈acrobat〉, 〈small hand〉. He described them as like using camera of the Neo-Realism film for presentation the problem of Korean 1950's society and community. And That's why he was very interested on the film Neo-Realism. So we can realize the true that his 1950's poetry had obvious inclination of realism already. It explains us about the connection between Kim, Gyu-Dong s 1950's poetry and 1970's poetry.
목차
1. 서론-영화, 김규동 시에 대한 또 다른 접근법
2. 과학적 시학으로서의 새로운 방법론
3. 결론
참고문헌
참고문헌 (20)
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