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학술연구/단체지원/교육 등 연구자 활동을 지속하도록 DBpia가 지원하고 있어요.
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초록· 키워드
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Jaha Shinwi(紫霞 申緯, 1769~1845) was called Samjeol(三絶, three major artists) in his lifetime. He was a poet and artist leading mainstream of his contemporary poetry, calligraphy and painting in the first half of 19th century. He wrote and compiled about 4,500 pieces of poem in his own edited book entitled “Gyeongsudangjeon’go(警修堂全藁).” His poetry formed more profound world in connection even with Zen(禪), covering artistic sphere of painting and calligraphy beyond categorical boundary of literature.
This study gave an overview about historical transitions in about total 80 academic theses on Jaha as published so far, and analyzed his works by respective topics focused broadly on poetry, calligraphy and painting. Next, this study sought to establish follow-up academic challenges such as 1) complete translation of “Gyeongsudangjeon’go”, 2) disproportionate aspects of studies on artistic talent, plus relevant possible methodologies, and 3) characterization of Jaha’s calligraphy.
In Joseon dynasty from the late 18th century to the early 19th century when Shinwi lived, abuse of Chu-tzu’s doctrines(朱子學) dominating his contemporary domestic ideology laid heavily around the society. But even in such a historical yoke, Shinwi didn’t stop making efforts to finish his own poetic world, while not avoiding social questions in reality in his own way. He is a representative figure for poetry, calligraphy and painting in the first half of 19th century, so exploration in his life and artistry means a closer approach to real substance of poetry, calligraphy and painting history in the first half of 19th century. Moreover, if studies on Shinwi are conducted in organic associations among poetry, calligraphy and painting, it is expected that they will be able to more clearly grasp his standings on poetic, literary, calligraphic and artistic history in the late Joseon dynasty.
This study gave an overview about historical transitions in about total 80 academic theses on Jaha as published so far, and analyzed his works by respective topics focused broadly on poetry, calligraphy and painting. Next, this study sought to establish follow-up academic challenges such as 1) complete translation of “Gyeongsudangjeon’go”, 2) disproportionate aspects of studies on artistic talent, plus relevant possible methodologies, and 3) characterization of Jaha’s calligraphy.
In Joseon dynasty from the late 18th century to the early 19th century when Shinwi lived, abuse of Chu-tzu’s doctrines(朱子學) dominating his contemporary domestic ideology laid heavily around the society. But even in such a historical yoke, Shinwi didn’t stop making efforts to finish his own poetic world, while not avoiding social questions in reality in his own way. He is a representative figure for poetry, calligraphy and painting in the first half of 19th century, so exploration in his life and artistry means a closer approach to real substance of poetry, calligraphy and painting history in the first half of 19th century. Moreover, if studies on Shinwi are conducted in organic associations among poetry, calligraphy and painting, it is expected that they will be able to more clearly grasp his standings on poetic, literary, calligraphic and artistic history in the late Joseon dynasty.
목차
Ⅰ. 문제제기
Ⅱ. 연구성과 개괄
Ⅲ. 연구성과의 주제별검토
Ⅳ. 차후 연구과제와 관련하여
참고문헌
【Abstract】
참고문헌 (88)
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UCI(KEPA) : I410-ECN-0101-2013-051-000552921