지원사업
학술연구/단체지원/교육 등 연구자 활동을 지속하도록 DBpia가 지원하고 있어요.
커뮤니티
연구자들이 자신의 연구와 전문성을 널리 알리고, 새로운 협력의 기회를 만들 수 있는 네트워킹 공간이에요.
이용수
초록· 키워드
오류제보하기
This paper explores an early modern Japanese theatre from an intercultural perspective. The modern Japanese theatre offered a cultural battlefield in which divergent ideas regarding modernization (or westernization), in tandem with tradition, contested one another. Focusing on the synthesis of the “foreign” and the “familiar” in works of Tsubouchi Sh y and Osanai Kaoru, I argue how their works can be read as intercultural endeavors. As theoretical tools, I borrow Patrice Pavis’ theory of an “hourglass” showing the way that one
culture can appropriate or creatively adopt elements from other culture in order to create viable theatrical works. And I use Kobayashi Hideo’s notion of “Japanese spirit” which does not mean anti-western bias, unlike the total dismissal of the western values of traditionalism.
Based on the ideas of “hourglass” and “Japanese spirit,” I discuss the philosophy and activities of two major theatre groups, Tsubouchi’s the Literary Society (Bungei Ky kai) and Osanai’s Free Theatre (Jiy gekij ) and Tsukiji Little Theatre, which are responsible for the development of modern Japanese theatre (shingeki), In investigating works of Tsubouchi and Osanai, I scrutinize their efforts towards a modern Japanese theatre movement (shingeki movement).
The two modern innovators of Japanese theatre struggle with the “familiar” Japanese theatrical traditions and the “foreign” western theatrical elements and ideas in the course of modernization (or westernization), which is intercultural endeavors for making a modern Japanese dramaturgy and theatre in the early 20th century.
culture can appropriate or creatively adopt elements from other culture in order to create viable theatrical works. And I use Kobayashi Hideo’s notion of “Japanese spirit” which does not mean anti-western bias, unlike the total dismissal of the western values of traditionalism.
Based on the ideas of “hourglass” and “Japanese spirit,” I discuss the philosophy and activities of two major theatre groups, Tsubouchi’s the Literary Society (Bungei Ky kai) and Osanai’s Free Theatre (Jiy gekij ) and Tsukiji Little Theatre, which are responsible for the development of modern Japanese theatre (shingeki), In investigating works of Tsubouchi and Osanai, I scrutinize their efforts towards a modern Japanese theatre movement (shingeki movement).
The two modern innovators of Japanese theatre struggle with the “familiar” Japanese theatrical traditions and the “foreign” western theatrical elements and ideas in the course of modernization (or westernization), which is intercultural endeavors for making a modern Japanese dramaturgy and theatre in the early 20th century.
목차
등록된 정보가 없습니다.
참고문헌 (13)
참고문헌 신청
1. [학술지(정기간행물)] - Barba, Eugenio / 1982 / Theatre Anthropology / The Drama Review 26 (2) : 5 ~ 32
2. [학술지(정기간행물)] - Choi, Jae Oh / 2006 / Aesthetics of Masked Acting in Japanese Noh and Greek Tragedy / The Journal of East-West Comparative Literature 14 : 203 ~ 227
3. [단행본] - Fischer-Lichte, Erika / 1996 / Interculturalism in Contemporary Theatre. The Intercultural Performance Reader / Routledge : 27 ~ 40
4. [단행본] - Kji, Toita / 1969 / The Kabuki, the Shimpa, the Shingeki. Japanese Music and Drama in the Meiji Era / The Toyo Bunko : 177 ~ 325
5. [단행본] - Matsumoto, Shinko / 1995 / Osanai Kaoru’s Views on Russian Theatre. A Hidden Fire: Russian and Japanese Cultural Encounters, 1868-1926 / Stanford UP : 66 ~ 79
2. [학술지(정기간행물)] - Choi, Jae Oh / 2006 / Aesthetics of Masked Acting in Japanese Noh and Greek Tragedy / The Journal of East-West Comparative Literature 14 : 203 ~ 227
3. [단행본] - Fischer-Lichte, Erika / 1996 / Interculturalism in Contemporary Theatre. The Intercultural Performance Reader / Routledge : 27 ~ 40
4. [단행본] - Kji, Toita / 1969 / The Kabuki, the Shimpa, the Shingeki. Japanese Music and Drama in the Meiji Era / The Toyo Bunko : 177 ~ 325
5. [단행본] - Matsumoto, Shinko / 1995 / Osanai Kaoru’s Views on Russian Theatre. A Hidden Fire: Russian and Japanese Cultural Encounters, 1868-1926 / Stanford UP : 66 ~ 79
함께 읽어보면 좋을 논문
논문 유사도에 따라 DBpia 가 추천하는 논문입니다. 함께 보면 좋을 연관 논문을 확인해보세요!
-
History of the Korean Theatre : Transitional Period Leading to the Modern Theatre 1902-1919
International Journal of Korean History
2003 .08
-
자아인식을 위한 교육연극 연행 방법 탐구 : ‘비가시적 연극’ 기법을 활용하여
국어교육연구
2008 .08
-
60/70년대 한국의 독일 희곡 소용 - 경제개발, 유신정국과 독일 연극
독일어문학
2004 .01
-
한국근대연극과 미디어의 관련 양상 - 1920년대 『조선일보』를 중심으로 -
한국현대문학연구
2005 .06
-
전통극과 사실주의: 한국 근대극 운동 지도자들의 인식
외국문학연구
2005 .11
-
Korean Traditional Theatre and Madanggŭk Theatre
Korea Journal
1997 .09
-
Toward a Modern Society : History of the Korean Theatre in the Modern Period 1919~1940
International Journal of Korean History
2004 .12
-
일제 말기 국민연극의 존재 형식과 공연 구조
한국현대문학연구
2007 .12
-
국민극(國民劇)에 대한 지향, 극예술연구회의 탄생
국어국문학
2014 .03
-
교육연극을 활용한 사회 연계성 체험
인문과학연구
2008 .06
-
Stage Performance of Travelling Theatre and Paper Theatre during the Late Japanese Colonial Period and the Imperial Event : Focusing on the Transmission of Travelling Media between the Empire and the Colony
동서비교문학저널
2019 .03
-
통일독일의 연극과 정치적 기능
외국문학연구
2008 .02
-
'열린연극, 서사극과 봉산탈춤'
동악어문학
1991 .11
-
Theatre of the Audience : English Early Modern Theatre and Korean Ground Theatre
동서비교문학저널
2009 .12
-
유민영의 한국 연극사 연구
한국학연구
2012 .12
-
신파극에 연극사적 의의
국어국문학
1994 .05
-
한국연극사 서술의 반성과 과제 : 시대구분과 장르구분을 중심으로
국어문학
2008 .03
-
연극에서의 ‘낯설게 하기’ : 러시아 아방가르드 연극과 브레히트
노어노문학
1998 .12
-
한국연극에서의 포스트모더니즘
한국학연구
1993 .10
이 논문의 저자 정보
이 논문과 함께 이용한 논문
최근 본 자료
댓글(0)
0
UCI(KEPA) : I410-ECN-0101-2014-800-000780177