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자료유형
학술저널
저자정보
김영미 (한국외국어대학교)
저널정보
중국문화연구학회 중국문화연구 中國文化硏究 第28輯
발행연도
2015.5
수록면
151 - 176 (26page)

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초록· 키워드

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This article notifies the change in life status of the people that were workers in which, the main productions of the socialism in the past, and learning the arts that were related to this theme.
There are two types of art that are studied.
One is the Fluxus art. Unlike other types of performance arts, Fluxus art sends out its messages actively by communicating with the audience. They transform things that we directly experience every day, like death, hygiene, pollution, and services into art. The audience is pleased and experiences the problems of life which, can not be felt by news or other media, by being a part of this art.
The other is the Photograph art. In this particular art, the picture observes people’s lives. They are exposed to consumption, and their position that are now away from the labor site are brought out without any censorship. By revealing especially the rural exodus worke, vagrants in streets, or children who were abandoned by their parents, one can observe various spectrums of people during the post-socialist period.
The two arts recognize the following. People’s lives from the socialist period are already moving towards consumption from production. However, there are people who remain in the past socialist period because they couldn’t get used to the new consumerism culture. As a member of society, people now have various positions from their own direction. These two arts are becoming new ways of offering them into aesthetic politics.

목차

1. 서론 : ‘포스트’사회주의중국을 구성하는 것들과 해체되는 지점
2. 본론 : 인민들의 해체지점 - 참여와 표출
3. 결론 : 지성인/비지성인들의 움직임과 교류 그리고 인민의 다양한 모습
〈參考文獻〉
〈Abstract〉

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