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Subject

The Ontological Image of Perception and Criticism of Art
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지각의 존재론적 이미지와 예술비평

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Type
Academic journal
Author
Yun, Dae-Sun (경기대학교)
Journal
The Institute of CHUNG-ANG Philosophical studies Philosophical Investigation Vol.41 KCI Accredited Journals
Published
2016.2
Pages
93 - 123 (31page)

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The Ontological Image of Perception and Criticism of Art
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Abstract· Keywords

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The image of painting represents the real object in the painter"s point, but that is not simply in itself. Of course the subjective thinking of the artist creates an image. But as Cézanne said that the painter in the face of his motif is about to join aimless hands of nature. A picture is accomplished by the perception, that is occurred between objets and painter. In any case the artist must perceive the external phenomenon that is definitely different from the artist"s thinking. So the image in the drawing paper is a description that is realized by the prospect vision and perception of the artist, that produce the artistic images. This article proposes the question the contemporary art of Cézanne, Sera, Bacon compared to the philosophical vision of Bergson, Merleau-Ponty, and Deleuze. Specially these philosophers think on the figure of being that is manifested in the original manner of body’s perception. The connection between things and painter is found in perception. And the figure in painting is already communicated in the body"s perception. This article proposes three principles of perception as virtuality, difference and duration.

Contents

요약문
1. 서론 : 예술적 이미지, 사유와 지각 사이에서
2. 포스트 모던시대의 예술적 이미지의 새로운 근거
3. 사물의 있음에 대한 지각 이미지의 예술적 재구성
4. 베르그손 이후 지각의 새로운 이미지와 잠재성
5. 결론
참고문헌

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UCI(KEPA) : I410-ECN-0101-2016-105-002648707