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Deleuze's Genetic Understanding of Perception And Its Aesthetic Consequences
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지각에 대한 발생론적 이해와 그 미학적 귀결들 - 질 들뢰즈의 초월론적 감성론을 중심으로

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Type
Academic journal
Author
Journal
한국미학회 美學(미학) 美學(미학) 제82권 제4호 KCI Accredited Journals
Published
2016.1
Pages
29 - 61 (33page)

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Deleuze's Genetic Understanding of Perception And Its Aesthetic Consequences
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Deleuze presents a new understanding of perception with his transcendental aesthetics. This understanding has three components: minute perceptions as the genetic elements of perception, intensity as the genetic condition of perception, and conscious perception as the result of the genetic process of perception. First, Deleuze suggests differentials or Ideas as the ultimate composing elements of things and as the genetic elements of perception by using Salomon Maïmon's Leibnizian interpretation of Kant. Borrowing Leibniz's minute perceptions to designate these genetic elements, Deleuze excludes his metaphysical premise of pre-established harmony of God. Second, Deleuze finds out another component corresponding to real sensation in Kant's text, which is intensity. Kant considered it as the a priori element behind empirical quality in general, but Deleuze makes it the potential energy which yields not only quality but also quantity. Arranging these two concepts in his logic of virtuality-actuality, lastly, Deleuze presents conscious perception as the result of this process of actualization. Deleuze's genetic investigation of perception has two aesthetic consequences: the renewal of Aisthesis, which was founded by Baumgarten but has never been achieved, and the union of two divided realms of aesthetics since Kant. Baumgarten planned Aisthesis as the study of all the sensible, but what he actually studied was just represented perception. But Deleuze's genetic investigation starts with the genetic elements under the level of representation and explains the formation of representation. In the same manner, it also starts with the genetic elements under the level of emotion and explains the formation of emotion. Hence, for Deleuzian Aisthesis, 'all the sensible' comes to designate the genetic process of representation and emotion. On the other hand, Kant divided aesthetics into the theory of sensibility and that of art. For him, the former is the study of a priori conditions of objective sensation, the latter the study of purposefulness without purpose guaranteed by subjective sensation. But with genetic investigation, Deleuze explains the simultaneous formation of the two sensation. In this point of view, the theory of sensibility and that of art are united in one single logic: the logic of genesis.
#질 들뢰즈 #초월론적 감성론 #미세 지각 #강도 #지각 #아이스테시스 #Gilles Deleuze #transcendental aesthetics #minute perception #intensity #perception #Aisthesis

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데카르트, 르네 / 1997 / 성찰/자연의빛에 의한 진리탐구/프로그램에 대한 주석 / 문예출판사 google schola Bergson, Henri / 1984 / La pensée et le mouvant / PUF google schola Deleuze, Gilles / 2004 / 차이와 반복 / 민음사 :165 google schola Deleuze, Gilles / 1969 / Logique du sens / Les éditions de minuit :300 google schola Deleuze, Gilles / 2004 / 주름, 라이프니츠와 바로크 / 문학과지성사 google schola

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