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Curators as Cultural Mediators: the Gwangju Biennial in the Context of Globalization of Korean Art Since the 1990s
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1990년대 이후 한국미술의 세계화 맥락에서 본 광주비엔날레와 문화매개자로서의 큐레이터

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Type
Academic journal
Author
Eunhee Yang (건국대학교)
Journal
KOREA ASSOCIATION FOR HISTORY OF MODERN ART Journal of History of Modern Art Vol.40 KCI Accredited Journals
Published
2016.12
Pages
97 - 128 (32page)

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Curators as Cultural Mediators: the Gwangju Biennial in the Context of Globalization of Korean Art Since the 1990s
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The Gwangju Biennial, initiated in 1995 and grown as the fifth major biennial in the world, is one of the significant sites of globalization in Korea. Since its conception, the biennial has been strategically sponsored by the central government at times even showing conflicting interests between art and political communities. As a result, it has been difficult to establish a system allowing autonomy for commissioners and curators apart from the powerful bureaucratic culture and the influence of local artists. Before the biennial, the concept of curatorship was not a commonly accepted one in Korea. Government-sponsored exhibitions were realized by artists and art critics who conventionally formed a hierarchical structure including numerous committees. Thus the Gwangju Biennial became a testing site for implementing Euro-American standards of exhibition culture and the concept of independent curatorship.
This paper examines how invited national and international art critics and curators impacted the newly-born biennial influencing a global audience and establishing an artistic directorship similar to the counterparts of Venice Biennale or Kassel Documenta. Among those discussed are Harald Szeemann who as one of the commissioners propagandized ‘creative curating’ for the second Gwangju Biennial and Okwui Enwezor who became the first international artistic director in 2008.
#광주비엔날레(Gwangju Biennale) #세계화(globalization) #큐레이터(curator) #문화매개자(cultural mediator) #하랄드 제만(Harald Szeemann) #오쿠이 엔웨이저(Okwui Enwezor)

Contents

I. 들어가는 말
II. 1990년대 비엔날레와 문화중개자로서의 큐레이터
III. 광주비엔날레의 정체성 확보와 전시기획자의 역할
IV. 나가는 말
참고문헌
국문초록
Abstract

References (48)

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[보고서] - 광주비엔날레 / 1997 / 1997 비엔날레 보고서 google schola [보고서] - 광주비엔날레 / 2002 / 도약을 위한 멈춤 : 2002광주비엔날레 결과보고서 google schola [인터넷자원] - 구두훈 / / 제2회 광주비엔날레 개막 / 중앙일보 google schola [인터넷자원] - 김권 / / 강운태 광주시장의 비엔날레 이야기 google schola [기타자료] - 김문수 / 1997 / 속도와 연관된 동양개념은 물: 하랄드 제만 〈속도〉전 커미셔너 / 영남일보 google schola

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