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Jack Kerouac's Journey into His Self
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잭 케루악의 자아로의 여행 : '사유'와 '성찰'

논문 기본 정보

Type
Academic journal
Author
Kim, Eunseong (고려대학교)
Journal
The International Society of Language and Literature International language and literature No.35 KCI Accredited Journals
Published
2016.12
Pages
385 - 410 (26page)

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Method
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Jack Kerouac's Journey into His Self
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Abstract· Keywords

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The Beat Generation’s counterculture was a cultural and social movement which protested against the main values and attitudes. Rejecting conformity, consensus, materialism, and consumerism, writers and members of the Beat Generation celebrated non-conformity, spontaneity, simplicity, and individuality. Their works are a kind of record of these values which began to emerge in the 1950s, 1960s in America. Jack Kerouac, a representative writer of the Generation, created a hobo or bum who can be referred to as a close figure of himself in On the Road and The Dharma Bums. In the two books based on Kerouac’s immediate and individual experiences on the road and in mountains, the bum figure embodies the values which Kerouac and other beat writers celebrate. Instead of identifying himself with a hitchhiker figure in continuous movements and rush into and out of places in On the Road, Kerouac as Ray who narrates The Dharma Bums adapts slow wandering, staying, solitude, meditation to attain the peaceful state of mind, or the essential mind and enlightenment and to reach a greater selfhood. While Kerouac as Sal looks restless, rootless, and anxious and has no idea of where he is going in On the Road, Kerouac is finally anchored in a vast but empty space of nature in The Dharma Bums. His intensive and private experience here leads his long journey to be fulfilled and realized in The Dharma Bums.
#잭 케루악 #『길 위에서』 #『다르마 행려』 #여행 #방랑자 #자연 #자아추구 #Jack Kerouac #On the Road #The Dharma Bums #journey #bum #nature #selfhood

Contents

국문초록
1. 서론
2. 저항, 빠름, 일탈
3. 느림, 성찰, 깨달음
4. 결론
ABSTRACT
참고문헌

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UCI(KEPA) : I410-ECN-0101-2017-706-002232913