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커뮤니티
연구자들이 자신의 연구와 전문성을 널리 알리고, 새로운 협력의 기회를 만들 수 있는 네트워킹 공간이에요.
논문 기본 정보
- 자료유형
- 학술저널
- 저자정보
- 발행연도
- 2018.9
- 수록면
- 163 - 185 (23page)
- DOI
- 10.29324/jewcl.2018.09.45.163
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초록· 키워드
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This paper aims to compare and analyze mental growth in Heart of Darkness and The Great Gatsby and to find out similarities and differences between two heroes: Marlow and Nick. The major results in this study are shown as follows;
In Heart of Darkness Kurtz’s tragic death results from inner evil in human nature in the light of moral corruption embodied in him. Joseph Conrad reveals his tragic vision of human nature through multiple narrators and change in Marlow’s vision. Kurtz’s last word before his death is quite enlightening. Marlow undergoes a transformation and see the truth. Marlow realized that Kurtz’s evil are deeply rooted in self and in civilization.
In The Great Gatsby, F, Scott Fitzgerald infuses a romantic optimism into Gatsby. Because Gatsby is a romantic, he has retained an ability to see a life of limitless possibilities. In the end, Nick, narrator, major character and critic, returns to the West, hometown, because of the corrupted materialism embodied in Tom and Daisy. Nick’s return to West means Nick’s transformation of consciousness or mental growth.
In conclusion, Heart of Darkness and The Great Gatsby represent the desire for quest, mental growth, moral sense and self-recognition. But there is a critical difference in that the former reveals Dark Power, that is, moral evil in human nature and the latter shows the importance of romantic sensibility and moral corruption embodied in face value of money-centered society.
In Heart of Darkness Kurtz’s tragic death results from inner evil in human nature in the light of moral corruption embodied in him. Joseph Conrad reveals his tragic vision of human nature through multiple narrators and change in Marlow’s vision. Kurtz’s last word before his death is quite enlightening. Marlow undergoes a transformation and see the truth. Marlow realized that Kurtz’s evil are deeply rooted in self and in civilization.
In The Great Gatsby, F, Scott Fitzgerald infuses a romantic optimism into Gatsby. Because Gatsby is a romantic, he has retained an ability to see a life of limitless possibilities. In the end, Nick, narrator, major character and critic, returns to the West, hometown, because of the corrupted materialism embodied in Tom and Daisy. Nick’s return to West means Nick’s transformation of consciousness or mental growth.
In conclusion, Heart of Darkness and The Great Gatsby represent the desire for quest, mental growth, moral sense and self-recognition. But there is a critical difference in that the former reveals Dark Power, that is, moral evil in human nature and the latter shows the importance of romantic sensibility and moral corruption embodied in face value of money-centered society.
목차
I. 서론
II. 『암흑의 핵심』: 말로우의 정신적 성숙
III. 『위대한 개츠비』: 닉의 정신적 성숙
IV. 결론
Works Cited
Abstract
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UCI(KEPA) : I410-ECN-0101-2018-800-003567447