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논문 기본 정보

자료유형
학술저널
저자정보
저널정보
한국중앙영어영문학회 영어영문학연구 영어영문학연구 제50권 제3호
발행연도
2008.1
수록면
305 - 323 (19page)

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One of the characteristics of a modern poet is his painful consciousness of alienation from his society. Ezra Pound, one of the pioneers of modern poetry, was also conscious of his dislocation from a larger reading public. His anxiety about his inadequacy, however, did not drive him to the dead-end of alienation from his audience, though he would not make a compromise with the contemporary philistine public. From the beginning, Pound incessantly tried to communicate with his audience. His earlier poetry, before the period of the Imagist movement, employed a plain style of writing to facilitate the understanding of his verses for his readers. As a kind of prescription for the disease of contemporary poetry, which was too sentimental and used too many redundant words, he gradually developed a new poetics of Imagism based on precise expression, condensation, and ellipsis, which he learned from the study of Romance and Oriental poetry. This new poetics used a juxtaposition of two or more phrases and sentences without any connecting or explanatory parts, so that it made his poetry hard to comprehend. Pound's new poetics was not a temporary tactic against the hostile public. It was a result of his tenacious endeavor for exact and compressed expressions in verse. Pound was a poet who forged not an exclusive but an inclusive audience for his poetry throughout his long poetic career.

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