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자료유형
학술저널
저자정보
저널정보
한국외국어대학교 외국학종합연구센터 중동연구소 중동연구 중동연구 제27권 제3호
발행연도
2009.1
수록면
35 - 66 (32page)

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The Arab music has a long history of interaction with many other regional musical styles and genres. It is an amalgam of the music of the Arabs in the Arabian Peninsula and the music of all the peoples that make up the Arab world today. It also influenced and has been influenced by ancient Egyptian, ancient Greek, Persian, Kurdish, Assyrian, Turkish, Indian, North African music African music, and European music. As was the case in other artistic and scientific fields, Arabs translated and developed Greek texts and works of music and mastered the musical theory of the Greeks. This study aims to investigate the development of Arab music for understanding of Arab culture. focusing on the relation between Islam and Music and the history of Arab music and Arab musical instruments. The development of Arab music has deep roots in Arabic poetry dating back to the pre-Islamic period known as Jahiliyyah. Though there is a lack of scientific study to definitively confirm the existence of Arabic music at those times, most historians agree that there existed distinct forms of music in the Arabian peninsula in the pre-Islamic period between the 5th and the 7th century AD. Arab poets of that time used to recite poems with a high musical rhythm and tone. A number of musical instruments used in Western music are believed to have been derived from Arabic musical instruments. In the 20th century, Egypt was the first in a series of Arab countries to experience a sudden emergence of nationalism, as it became independent after 2000 years of foreign rule. Turkish music, popular during the rule of the Ottoman Empire in the region, was replaced by national music. Cairo became a center for musical innovation. One of the first female musicians to take a secular approach was Umm Kulthum quickly followed by Fayruz.

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