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논문 기본 정보
- 자료유형
- 학술저널
- 저자정보
- 저널정보
- The Academy of Korean Studies THE REVIEW OF KOREAN STUDIES THE REVIEW OF KOREAN STUDIES Vol.5 No.1 JUNE 2002
- 발행연도
- 2002.6
- 수록면
- 191 - 213 (23page)
이용수
초록· 키워드
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In this article, I concentrated on the ethical dimensions of the Korean classical novel Wanwolhoemaengy?n (18th century) in such a way as to take into account Korean approaches to the interrelationship of ethics and literature. In particular, I drew attention to the role of women as both the consumers and producers of indigenous fiction in Korea.
My research explores the manner in which the normative concept of “ye” (禮), propriety, served as a core motif in the development of Korean narrative throughout the eighteenth century. In the Korean literary tradition, writers developed elaborate plots in which the resolution of interpersonal conflicts by means of the creative interpretation of Confucian rules of propriety served as a mimetic structure for describing the personalities of individual characters. Those individual characters, in turn, were meant to serve as archetypes by which readers might model their own actions. Thus Korean narrative developed rich literary patterns, all the while never shedding its social function as a means of moral instruction, or straying too far from the central concern of the era, the interpretation of the Confucian classics.
The underlying schemata of pre-modern Korean fiction remain remarkably consistent with the ethical demands made of it by Chosen period society as a whole. Values derived from the Confucian ethical canon such as regulated personal relations, hierarchy, filial piety, and family continuity are explored in infinite permutations in Korean narrative in a remarkable blend of dogmatism and literary sensibility. Song Confucianism carried out a regulating function on literary patterning in the Chos?n period analogous to that which nationalism (in South Korea) or Marxism (in North Korea) later played in the novel during the twentieth century.
My research explores the manner in which the normative concept of “ye” (禮), propriety, served as a core motif in the development of Korean narrative throughout the eighteenth century. In the Korean literary tradition, writers developed elaborate plots in which the resolution of interpersonal conflicts by means of the creative interpretation of Confucian rules of propriety served as a mimetic structure for describing the personalities of individual characters. Those individual characters, in turn, were meant to serve as archetypes by which readers might model their own actions. Thus Korean narrative developed rich literary patterns, all the while never shedding its social function as a means of moral instruction, or straying too far from the central concern of the era, the interpretation of the Confucian classics.
The underlying schemata of pre-modern Korean fiction remain remarkably consistent with the ethical demands made of it by Chosen period society as a whole. Values derived from the Confucian ethical canon such as regulated personal relations, hierarchy, filial piety, and family continuity are explored in infinite permutations in Korean narrative in a remarkable blend of dogmatism and literary sensibility. Song Confucianism carried out a regulating function on literary patterning in the Chos?n period analogous to that which nationalism (in South Korea) or Marxism (in North Korea) later played in the novel during the twentieth century.
목차
The first female novelist in Korea and Wanwolhoemaengy?n
The Role of Propriety in Wanwolhoemaengy?n
The Woman’s Strategy for an Ingenious Ethical Solution: Chang S?ng-wan
The Moral Fabric of a Woman: S? Kyo-wan
Women in the late Chos?n period
REFERENCES
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