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자료유형
학술저널
저자정보
이주형 (서울대학교)
저널정보
중앙아시아학회 중앙아시아연구 중앙아시아연구 제25권 제2호
발행연도
2020.1
수록면
1 - 28 (28page)

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In a paper published in 2018 I discussed the chronological positions of four dated Buddha images of unknown eras from Gandh?ra in relation to major visual (or stylistic) types of Buddha images in Gandh?ran art I identified in another earlier paper. Among the four, a stele of Indra?ailaguh? from Mam?ne ?her? of the year 89 and a standing Buddha from Hashtnagar (P?l??? ?her?) near Charssada of the year 384, which both belong to Type III in my grouping, are datable to 216 and 209 CE respectively and represent the most productive period in Gandh?ran sculpture, while a triad of the year 5 in a private collection in Japan, which is identifiable as Type II, could be placed around 232 CE. This paper examines what went ahead before this period in the making of Buddha images in Gandh?ra. Beginning with Buddhas carved on gold and copper coins of Kani?ka, this paper explores their parallels or related examples in extant Buddha images. Especially notable is the peculiar rendering of the u????a in the form of snail-shell curls of the Buddha in one of the gold coins. A Buddha head in the Asian Art Museum in Berlin shows a u????a in a similar form, and a standing Buddha in the same collection has an identical face with the head, though the u????a is different. Both Buddhas have mustaches in distinctive shapes. A number of Buddha images that can be linked to these two Berlin Buddhas are found in broad areas from the Kabul valley in the west to Taxila in the east and Butkara of Swat in the north. One of the Buddha images carved on the B?mar?n reliquary exhibits similar features and is perhaps the earliest extant example of this type. Buddha images of this distinctive type seem to have been made during the first and second centuries CE and mark an early phase of the imagery of the Buddha in Greater Gandh?ra.

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