Research on the Expression Language of New Fine Brushwork Paintings - A Case Study of Xu Lei's Paintings -

liu wenjing

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자료유형: 학술저널

저자정보: liu wenjing (경기대학교 글로벌파인아트학과)

저널정보: 한국동양예술학회 동양예술 동양예술 제53호

발행연도: 2021.11

수록면: 223 - 252 (18page)

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Since the 21st century, Chinese fine brushwork painting has presented a new look to the public. The new era has given a new language to traditional Chinese painting. Under the influence of the impact of Western art forms, people's aesthetic way of traditional Chinese painting has also changed. In the process of cultural exchange, collision, and integration between China and the West, traditional Chinese painting inherits the tradition and keeps pace with the times, and forms the style of "new fine brushwork" with the features of the times under the new cultural background. A group of painters are constantly trying to break through the shackles of tradition, seeking the path of "new fine brushwork," and exploring the unique expression of "new fine brushwork." Their new attempt expands the boundaries of traditional fine brushwork painting, makes the development of traditional fine brushwork painting full of vitality in the contemporary era, and presents the possibility of the future development of traditional fine brushwork painting. In the mid-1990s, Xu Lei began to innovate himself constantly. Based on traditional fine brushwork paintings of flowers and birds, he integrated Western art concepts and art forms into the creation of Chinese painting. The traditional fine brushwork painting was painted with exquisite brushwork, with dyeing layer by layer. After many overlaying dyeing, the color is thick and deep, while the picture is exquisite and neat. Xu's paintings, however, break through the boundaries of traditional fine brushwork painting and play a role in guiding the exploration and innovation of contemporary "new fine brushwork" painting. This article takes Xu's painting works as the research objects. Based on the study of painting creation techniques, an analysis is carried out on the paintings' color techniques and forms of expression. In the meantime, a comparative analysis is made on the line of traditional fine brushwork painting and the new one, summarizing characteristics of expression language of the "new fine brushwork" paintings and providing more clues for the development of contemporary "new fine brushwork."

Since the 21st century, Chinese fine brushwork painting has presented a new look to the public. The new era has given a new language to traditional Chinese painting. Under the influence of the impact of Western art forms, people's aesthetic way of traditional Chinese painting has also changed. In the process of cultural exchange, collision, and integration between China and the West, traditional Chinese painting inherits the tradition and keeps pace with the times, and forms the style of "new fine brushwork" with the features of the times under the new cultural background. A group of painters are constantly trying to break through the shackles of tradition, seeking the path of "new fine brushwork," and exploring the unique expression of "new fine brushwork." Their new attempt expands the boundaries of traditional fine brushwork painting, makes the development of traditional fine brushwork painting full of vitality in the contemporary era, and presents the possibility of the future development of traditional fine brushwork painting. In the mid-1990s, Xu Lei began to innovate himself constantly. Based on traditional fine brushwork paintings of flowers and birds, he integrated Western art concepts and art forms into the creation of Chinese painting. The traditional fine brushwork painting was painted with exquisite brushwork, with dyeing layer by layer. After many overlaying dyeing, the color is thick and deep, while the picture is exquisite and neat. Xu's paintings, however, break through the boundaries of traditional fine brushwork painting and play a role in guiding the exploration and innovation of contemporary "new fine brushwork" painting. This article takes Xu's painting works as the research objects. Based on the study of painting creation techniques, an analysis is carried out on the paintings' color techniques and forms of expression. In the meantime, a comparative analysis is made on the line of traditional fine brushwork painting and the new one, summarizing characteristics of expression language of the "new fine brushwork" paintings and providing more clues for the development of contemporary "new fine brushwork."

#new fine brushwork # expression language # Xu Lei # contemporary painting # concept expression

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