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연구자들이 자신의 연구와 전문성을 널리 알리고, 새로운 협력의 기회를 만들 수 있는 네트워킹 공간이에요.
초록· 키워드
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The object of this thesis is to analyze the thinking system in Kim gu-young's poetry, because the analysis of an ontologic world cognition on which his poetry is based is the operation to make clear the aesthetic substance and the inevitability of conclusion that Kim gu-young's poetry naturally follows that the content and form is hard to make out. For that purpose, this thesis examined carefully Kim gu-young's poetry world in three parts, flux and repetition, transition and creation of meaning, virtuality and actuality.
First, Kim gu-young's poetry grasps the field of virtuality which molds the being and world, and then extends the range of intuition to the whole universal field. The visible and invisible being panicles which were discharged into the real world from the field of virtuality form substantial knots repeating creation and variation, take on a meaning. A motive that makes beings go through the field of virtuality to the field of reality is a built-in power in itself. The fundamental power makes it go against homogeneous tendency in the field of virtuality. The discharged beings meet and get inter-wound with one another in the context of reality accidently. These knots which get tangled with the familiar context arc incorporated into culture system after taking a sensible meaning. But Kim gu-young's poetry is clever at perceiving the knots which is hard to understand in the usual context. From this aspect we can explain the reason why the contrary beings in his poetry often get themselves across one another. Kim gu-young gives shape to the beings which is belong to virtuality by connecting them to realistic context. Though they are mysterious knots in the context of reality, they hold the same base in the dimension of virtuality.
In the mean time, the affection which is symbolized by "a interpreting stone", "precious hands" makes the translation and transmission between different beings possible. To Kim gu-young the very field of virtuality in which all possibility including feeling, unconsciousness, imagination, desire ete Hows dynamically is the overwhelming reality that is the foundation of real world. Surfaces of the meaning which expose the individual world intersect each other in many folds through different viewpoints. The maximum of solidity in Kim gu-young's poetry is caused by the intersection. This distinctive feature also makes a sympathetic zone between modern arts which try to destroy representation system and unusual organization in a special way.
In this manner. Kim gu-young's poetry laid down a new rules of composition which go far toward ex rending the area of Korean modern poetry more widely by expanding individual experiences in an usual dimension to an inexhaustible possibility.
First, Kim gu-young's poetry grasps the field of virtuality which molds the being and world, and then extends the range of intuition to the whole universal field. The visible and invisible being panicles which were discharged into the real world from the field of virtuality form substantial knots repeating creation and variation, take on a meaning. A motive that makes beings go through the field of virtuality to the field of reality is a built-in power in itself. The fundamental power makes it go against homogeneous tendency in the field of virtuality. The discharged beings meet and get inter-wound with one another in the context of reality accidently. These knots which get tangled with the familiar context arc incorporated into culture system after taking a sensible meaning. But Kim gu-young's poetry is clever at perceiving the knots which is hard to understand in the usual context. From this aspect we can explain the reason why the contrary beings in his poetry often get themselves across one another. Kim gu-young gives shape to the beings which is belong to virtuality by connecting them to realistic context. Though they are mysterious knots in the context of reality, they hold the same base in the dimension of virtuality.
In the mean time, the affection which is symbolized by "a interpreting stone", "precious hands" makes the translation and transmission between different beings possible. To Kim gu-young the very field of virtuality in which all possibility including feeling, unconsciousness, imagination, desire ete Hows dynamically is the overwhelming reality that is the foundation of real world. Surfaces of the meaning which expose the individual world intersect each other in many folds through different viewpoints. The maximum of solidity in Kim gu-young's poetry is caused by the intersection. This distinctive feature also makes a sympathetic zone between modern arts which try to destroy representation system and unusual organization in a special way.
In this manner. Kim gu-young's poetry laid down a new rules of composition which go far toward ex rending the area of Korean modern poetry more widely by expanding individual experiences in an usual dimension to an inexhaustible possibility.
목차
1. 서론
2. 흐름과 반복
3. 의미의 전이와 생성
4. 잠재성과 실제성
5. 결론
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