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Since the Chinese Han(漢) dynasty period, dramatic plays(曲藝) from the Western regions(西域) have been being introduced to China, and such addition of foreign plays made the existing traditional entertainment and techniques(百戱雜技) more layered and more versatile. Those cultural aspects of China were also introduced to the Korean peninsula, and were used or played at various parties and banquets.
Along all kinds of entertainment and techniques, the songs and dances of the Western regions were also introduced to the Koreans. The examples include the Somakcha(蘇莫遮), which was passed on to the Goguryeo and Shilla dynasties, and also Sokdok(束毒), Weoljeon(月顚) and Daemyeon(大面), of which the names can be found from Choi Chi Weon's 「Hyangak Jabyeong(鄕樂雜詠:Local Music and Lyrics)」.
The 5-string Bipa instruments and Pilryul flutes originated in the Western regions were relayed to China and then to the Goguryeo dynasty in mid-5th century, and after that used by the Shilla and Baekje people, and then even by the Japanese for musical accompaniments.
Shilla people called the songs and dances from the Western regions ‘Hyangak(鄕樂: local music)', and viewed them as a different sort of music from the Chinese Dangak(唐樂) music. The title of ‘Hyangak' reveals that the Shilla people embraced and absorbed the Western regions' music and dances into their own culture and turned them into a unique version of songs and dances of their own.
Along all kinds of entertainment and techniques, the songs and dances of the Western regions were also introduced to the Koreans. The examples include the Somakcha(蘇莫遮), which was passed on to the Goguryeo and Shilla dynasties, and also Sokdok(束毒), Weoljeon(月顚) and Daemyeon(大面), of which the names can be found from Choi Chi Weon's 「Hyangak Jabyeong(鄕樂雜詠:Local Music and Lyrics)」.
The 5-string Bipa instruments and Pilryul flutes originated in the Western regions were relayed to China and then to the Goguryeo dynasty in mid-5th century, and after that used by the Shilla and Baekje people, and then even by the Japanese for musical accompaniments.
Shilla people called the songs and dances from the Western regions ‘Hyangak(鄕樂: local music)', and viewed them as a different sort of music from the Chinese Dangak(唐樂) music. The title of ‘Hyangak' reveals that the Shilla people embraced and absorbed the Western regions' music and dances into their own culture and turned them into a unique version of songs and dances of their own.
목차
Ⅰ. 머리말
Ⅱ. 百戱雜技의 전파와 그 유래
Ⅲ. 西域의 歌舞와 樂器의 전래
Ⅳ. 맺음말
【Abstract】
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UCI(KEPA) : I410-ECN-0101-2009-911-015460625