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연구자들이 자신의 연구와 전문성을 널리 알리고, 새로운 협력의 기회를 만들 수 있는 네트워킹 공간이에요.
초록· 키워드
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The present study examined the origin of 'enlightenment' and 'sensibility' in Ou Hye yeong's novels and literary achievements based on her early novels (1950s~60s). 'Enlightenment' in Gu Hye yeong's novels originated from Sasanggye, the medium of her debut. With the discontinuation of Sasanggye, she lost space and background for maintaining her status. During the same days, Han Mal sook and Park Oyeong ri made their debuts through Hyundai Munhak (Contemporary Literature), a pure literary magazine, by Kim Dong ri's recommendation, and were spotlighted in various spaces and literary circles. In contrast with them, Sasanggye was a glory and, at the same time, a yoke to Ou Hye yeong who made her debut in her 20s 'Sensibility' observed in Gu Hye-yeong's novels originated from the specialty of her generation. Gu Hye-yeong spent her childhood in her 10s around the Liberation in Gangwon-do, and started the life of her 20s in Seoul during the period of the Korean War. She gives her attention to the pure life force of humans rather than the sense of loss in Korean history. As Gu Hye yeong put a distance between personal problems and historical realities, sensible figures appear as the main characters of her novels. While she inherits the enlightening tone of intellectual writers in the previous generation, she also shows sensibility coming from her experiences in the new generation.
Enlightenment and sensibility permeating in Ou Hye yeongs early novels appear as follows in her early novels (1950s~60s). First, she shows a self initiated life through new-generation female characters. However, the writer's sensibility deprives her of the ability to implement her beliefs into realities. Second, she gives her attention to the loss of self-esteem in contemporary people, particularly in middle aged housewives. Middle aged housewives' crisis leads to accusation for the falsehood of sweet home fantasies. With the discontinuation of Sasanggye, enlightening discourses that Gu Hye yeong internalized through Sasanggye loses not only their space but also their effectiveness and public support in the social situation of the 1960s~70s. When Gu Hye yeong keeps a distance from the enlighten -ing discourses of Sasanggye, what is left to her is feministic sensibility and yearning for pure life. Gu Hye-yeong's school girl novels in the 1970s should be understood in this context. Her popular novels in the 1970s may be another question, but Cu Hye-yeong's early novels in the 1950s~60s should be reevaluated in the sense that they are stepping stones between the literature of the previous generation and that of the next generation.
Enlightenment and sensibility permeating in Ou Hye yeongs early novels appear as follows in her early novels (1950s~60s). First, she shows a self initiated life through new-generation female characters. However, the writer's sensibility deprives her of the ability to implement her beliefs into realities. Second, she gives her attention to the loss of self-esteem in contemporary people, particularly in middle aged housewives. Middle aged housewives' crisis leads to accusation for the falsehood of sweet home fantasies. With the discontinuation of Sasanggye, enlightening discourses that Gu Hye yeong internalized through Sasanggye loses not only their space but also their effectiveness and public support in the social situation of the 1960s~70s. When Gu Hye yeong keeps a distance from the enlighten -ing discourses of Sasanggye, what is left to her is feministic sensibility and yearning for pure life. Gu Hye-yeong's school girl novels in the 1970s should be understood in this context. Her popular novels in the 1970s may be another question, but Cu Hye-yeong's early novels in the 1950s~60s should be reevaluated in the sense that they are stepping stones between the literature of the previous generation and that of the next generation.
목차
1. 서론
2. 구혜영 소설의 구심점과 세대적 특수성
3. 구혜영 초기(50~60년대) 소설에 착종된 계몽성과 감성의 의의
4. 결론
참고문헌
참고문헌 (16)
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