지원사업
학술연구/단체지원/교육 등 연구자 활동을 지속하도록 DBpia가 지원하고 있어요.
커뮤니티
연구자들이 자신의 연구와 전문성을 널리 알리고, 새로운 협력의 기회를 만들 수 있는 네트워킹 공간이에요.
초록· 키워드
오류제보하기
Seodo popular folk song Gin-Nanbongga has thus far been assumed to have been a traditional Seodo local folk song and have a musical relationship with Dongpoongga, which is discovered in folk songs, based on the text and musical similarity. However, the assumptions are controversial because of the lack of accurate musical evidence.
In recent years, the origin and characteristics of Dongpoongga, which was one of Seodo-Sadangpae(typical wandering troupes) songs in traditional society, were verified. This, thus, laid the groundwork for re-examining the musical relationships between these two genres of songs. This study argues that in terms of text and music, Dongpoongga is the prototype of Seodo popular folk song Gin-Nanbongga, which was not a traditional Seodo local folk song but recreated as a more refined form on the basis of Sadangpae Dongpoongga in the late 19century or the early 20century.
This paper also explains the origin and evolution of Seodo popular folk song Gin-Nanbongga. There were two different versions of Gin-Nanbongga in the early 20th century: old and new ones. Except for Tori(mode), two versions had almost the same musical characteristics. The former consists of Susimga-tori(mode), the typical musical language of Seodo province, whereas the latter comprises Bansusimga-tori(mode), which is the mixture with Susimga-tori and other type of tori.In terms of text, tori, melodic contour and musical form, the old version has much in common with Sadangpae song Dongpoongga. However, since the late 20century, only new version composed of Bansusimga-tori, has come to be transmitted as it is sung together with other Nanbongga songs, which consist of Bansusimga-tori.
Gin-Nanbongga is considered to have been made by the Sadangpae successors when they went into the theater, seeking repertoires in order to succeed in their public performances in the late 19century or the early 20century.
There is a similarity in the name of the Sadangpae sori recorded in the ancient literature and the recent popular folk songs, which led to the assumption that there is a close relationship between two kinds of genres. This research clearly shows the close relationships between the Sadangpae sori and the recent popular folk songs.
In recent years, the origin and characteristics of Dongpoongga, which was one of Seodo-Sadangpae(typical wandering troupes) songs in traditional society, were verified. This, thus, laid the groundwork for re-examining the musical relationships between these two genres of songs. This study argues that in terms of text and music, Dongpoongga is the prototype of Seodo popular folk song Gin-Nanbongga, which was not a traditional Seodo local folk song but recreated as a more refined form on the basis of Sadangpae Dongpoongga in the late 19century or the early 20century.
This paper also explains the origin and evolution of Seodo popular folk song Gin-Nanbongga. There were two different versions of Gin-Nanbongga in the early 20th century: old and new ones. Except for Tori(mode), two versions had almost the same musical characteristics. The former consists of Susimga-tori(mode), the typical musical language of Seodo province, whereas the latter comprises Bansusimga-tori(mode), which is the mixture with Susimga-tori and other type of tori.In terms of text, tori, melodic contour and musical form, the old version has much in common with Sadangpae song Dongpoongga. However, since the late 20century, only new version composed of Bansusimga-tori, has come to be transmitted as it is sung together with other Nanbongga songs, which consist of Bansusimga-tori.
Gin-Nanbongga is considered to have been made by the Sadangpae successors when they went into the theater, seeking repertoires in order to succeed in their public performances in the late 19century or the early 20century.
There is a similarity in the name of the Sadangpae sori recorded in the ancient literature and the recent popular folk songs, which led to the assumption that there is a close relationship between two kinds of genres. This research clearly shows the close relationships between the Sadangpae sori and the recent popular folk songs.
목차
Ⅰ. 머리말
Ⅱ. 사당패소리 〈동풍가〉와 서도민요 〈긴난봉가〉
Ⅲ. 사당패 〈동풍가〉와 서도민요 〈긴난봉가〉의 음악적 관계
Ⅳ. 서도민요 〈긴난봉가〉의 음악적 형성과정 및 그 배경
Ⅴ. 결론
〈참고문헌〉
참고문헌 (0)
참고문헌 신청함께 읽어보면 좋을 논문
논문 유사도에 따라 DBpia 가 추천하는 논문입니다. 함께 보면 좋을 연관 논문을 확인해보세요!
-
경기도 논농사소리의 음악적 특징과 지역별 분포 : 모심는소리ㆍ논매는소리를 중심으로
한국민요학
2003 .06
-
한국 근대 민요에 관한 연구 경향과 쟁점
한국민요학
2009 .12
-
향토민요의 음악적 연구 현황 분석
한국민요학
2014 .12
-
고정옥 민요 연구의 관점 변화와 인용 민요 자료의 성격
한국민요학
2019 .12
-
경기도 서북부지역과 황해도의 논농사소리 비교연구
한국민요학
2006 .06
-
서사민요 시집살이 노래의 음악적 연구
한국민요학
2004 .06
-
일제 강점기 민요 창작론과 창작민요의 특성
한국민요학
2008 .12
-
초등 국악교육을 위한 유희요의 음악적 특성과 분포 연구
한국민요학
2005 .12
-
『대한매일신보』의 민요 수록 양상과 특성
한국민요학
2002 .12
-
한국의 민요연구 역사와 문제의식의 추이
한국민요학
2009 .12
-
민요 웹사이트의 구축 현황과 문제점
한국민요학
2007 .06
-
2007년 개정 교육과정에 따른 민요 관련 지도내용 고찰
한국민요학
2009 .04
-
사이버 공간에서 민요자료의 존재양상과 학술적 활용 시각
한국민요학
2006 .12
-
민요와 창작
한국민요학
2002 .06
-
경·서도민요 〈도화타령〉의 음악사적 연구
한국민요학
2011 .12
-
강화도 시선뱃노래의 음악적 특징
한국민요학
2004 .12
-
서부경남에 전승된 제주도 〈해녀 노 젓는 소리〉의 음악적 고찰
한국민요학
2005 .06
-
황해도 통속민요 〈배꽃타령〉에 대한 史的 고찰 : 사당패〈배꽃타령〉과의 관계를 중심으로
한국민요학
2012 .08
-
북한의 체제 성립기 아동가요와 민족적 성격
한국민요학
2020 .04
-
제7차 개정 중학교 국어교과서에 나타난 민요교육의 문제점 연구
한국민요학
2010 .12
이 논문의 저자 정보
이 논문과 함께 이용한 논문
최근 본 자료
댓글(0)
0