지원사업
학술연구/단체지원/교육 등 연구자 활동을 지속하도록 DBpia가 지원하고 있어요.
커뮤니티
연구자들이 자신의 연구와 전문성을 널리 알리고, 새로운 협력의 기회를 만들 수 있는 네트워킹 공간이에요.
초록· 키워드
오류제보하기
Kim Eok, one of the key pioneers of the modern Korean poetry, asserted in his folk poetics that the essence of Korean folk poetry is ‘simplicity’ found in the rhythms and rhymes. Sowol refused to become a folk poet and challenged the conventional idea to avoid the simplification of poetic images by taking repeats, inversions, changes and variations of rhymes and structures. He attempted to combine the features of the contemporary western poetry with the Korean traditional spirits and folks while keeping the rhythmical charm of Korean folk songs in order to achieve poetic uniqueness. Mokwol further expanded the Sowol’s poetics into the area of physical poetry using ellipsis, compression and reduction.
Kim Eok’s folk poetics as opposed to the western free verse and Sowol’s use of traditional rhythm, poetic repeats, variations and patterned story telling represent important markers showing the generation of aesthetic modernity in the modern Korean poetry. It is found that Mokwol followed the traditional rhythms used by Sowol. However, he failed to sufficiently deepen the conflicts between self and others and also employed the very conventional way to reach the reconciliation. As a result, the tension arising from the lyric experiences hardly leads to the poetic self’s creative reflection.
The aesthetic modernity of the modern poetry should be understood in the process of interpreting the forms and stories of poems and the relationship between self and others reflected on them from a perspective of conflict and struggle rather than harmony. In addition to that, the creative approaches should be taken to understand the aesthetic modernity.
Kim Eok’s folk poetics as opposed to the western free verse and Sowol’s use of traditional rhythm, poetic repeats, variations and patterned story telling represent important markers showing the generation of aesthetic modernity in the modern Korean poetry. It is found that Mokwol followed the traditional rhythms used by Sowol. However, he failed to sufficiently deepen the conflicts between self and others and also employed the very conventional way to reach the reconciliation. As a result, the tension arising from the lyric experiences hardly leads to the poetic self’s creative reflection.
The aesthetic modernity of the modern poetry should be understood in the process of interpreting the forms and stories of poems and the relationship between self and others reflected on them from a perspective of conflict and struggle rather than harmony. In addition to that, the creative approaches should be taken to understand the aesthetic modernity.
목차
Abstract
1. 한국 근대시의 요적(謠的) 전통과 그 형성
2. 순환성과 반복
3. 압축과 암시
4. 3음보와 2음보, 자아와 세계의 긴장
참고문헌
참고문헌 (0)
참고문헌 신청함께 읽어보면 좋을 논문
논문 유사도에 따라 DBpia 가 추천하는 논문입니다. 함께 보면 좋을 연관 논문을 확인해보세요!
-
김억의 ‘창작적 역시’가 근대시에 미친 영향 : 김소월 시와의 관련성을 중심으로
어문학
2014 .09
-
자유의 시학과 미적 현대성 : 김수영과 김춘수 시론에 나타난 ‘무의미’의 문제를 중심으로
한국시학연구
2005 .04
-
Korean Poetry Today
Korea Journal
1972 .02
-
Korean Poetry Today
Korea Journal
1962 .08
-
소월시 다시 읽기
한국시학연구
2003 .05
-
韓國 現代詩의 詩語와 詩意識 硏究
한국시학연구
2002 .05
-
“赋兼比兴”的构成、变形与文学意义
중국문학
2016 .01
-
沈佺期詩硏究
중국문학
2006 .01
-
朴寅煥 詩의 모더니티와 詩史的 意味
어문론집
2011 .11
-
한국 시(가)의 근대성의 논리
한국시학연구
2008 .04
-
岸曙와 素月의 한시 번역과 창작시의 율격
한국시학연구
2005 .08
-
현대시에 나타난 시적 구조로서의 병렬법
한국시학연구
2003 .11
-
Poetry : A Consideration of What Makes Poetry 'Poetry'
한신인문학연구
2001 .12
-
金素月與徐志摩愛情詩之比較研究
동아인문학
2003 .12
-
An Understanding of Modern Poetry
Korea Journal
1979 .03
-
1970년대 한국 현대시의 계보와 유형 연구를 위한 시론
우리문학연구
2008 .06
-
모더니즘 시의 '현실'과 그 기호적 맥락-김광균의「서정시의 문제」를 중심으로
한국현대문학연구
1998 .12
-
리얼리즘 시와 시론의 창조적 수용
한국시학연구
2000 .11
이 논문의 저자 정보
이 논문과 함께 이용한 논문
최근 본 자료
댓글(0)
0
UCI(KEPA) : I410-ECN-0101-2009-710-018652046