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초록· 키워드
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The aim of this writing is the searching into the aspects and its’ transition of literary representations about Korean peasants’ migration under the Japan’s colonial reign. This research have done focusing on the scenery of colonial migrant’s villages. This writing was intended to investigating about what were the scenery of colonial migrants’ villages and it’s the social discourses. Because the colonial migrants’ villages had made by Japan’s colonial government, it had showed the typical essences of colonial reign.
The objects of this research are The Son of the Earth (Taejieui Adeul 대지의 아들 of Lee Ki-young, ?Peasants(Nonggun 농군)? of Lee Taejun, North Gando (Bukgando 북간도) of Ahn Soo-gil, Foreshore Fields (Gaetdeul 갯들) of Lim Young-chun, Arirang (아리랑) of Jo Jeong-rae etc. Social contexts of these texts ranged from colonial reign system to free diversified society.
The changes of the social contexts had effected on the representative aspects of texts. During Japanese colonial reign, Korean peasants had been represented in utopian farmland by the imaginary geography. But since 1945, the scenery of colonial migrants’ villages were space that implied the coloniality and modernity and intervened the standpoint of colonizer and peasants settler.
Korean migrant peasants have been changed in the literary texts following to social contexts. It had shown that they have possessed not ethnic identity but changed national identity. That have been represented from national to variety viewpoints.
The objects of this research are The Son of the Earth (Taejieui Adeul 대지의 아들 of Lee Ki-young, ?Peasants(Nonggun 농군)? of Lee Taejun, North Gando (Bukgando 북간도) of Ahn Soo-gil, Foreshore Fields (Gaetdeul 갯들) of Lim Young-chun, Arirang (아리랑) of Jo Jeong-rae etc. Social contexts of these texts ranged from colonial reign system to free diversified society.
The changes of the social contexts had effected on the representative aspects of texts. During Japanese colonial reign, Korean peasants had been represented in utopian farmland by the imaginary geography. But since 1945, the scenery of colonial migrants’ villages were space that implied the coloniality and modernity and intervened the standpoint of colonizer and peasants settler.
Korean migrant peasants have been changed in the literary texts following to social contexts. It had shown that they have possessed not ethnic identity but changed national identity. That have been represented from national to variety viewpoints.
목차
1. 일제 강점기 한국 농민 이주의 사회적 맥락과 재현
2. 해방 이전 농민 이주의 문학적 재현과 심상지리
3. 해방 이후 농민소설에 나타난 이민촌의 식민성과 근대성
4. 이민촌의 근대적 메카니즘
5. 이주 기억의 형상화와 시각의 다양화
6. 결론
【참고문헌】
【Abstract】
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UCI(KEPA) : I410-ECN-0101-2009-809-018909511