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This paper is to report the finding that the tribute Buncheong ceramic wares. which were the representative ceramics in the early period of Joseon Dynasty, had unified style irrespective of the wide-spread manufacturing locations. This paper will also clarify the manufacturing background which lead to such a unified style.
The ceramic wares paid to the central and local governments as tax tribute during the king Taejong and Sejong periods were manufactured from widely distributed kilns over the country. Detailed information on the kilns are described in Sejong-shillok Jiriji (Geographical description of the eight provinces, part of the Annals of King Sejong).
Tribute Buncheong ceramics wore letter markings representing the government office (either the user or the supplier), manufactured place, or the craftsman. Even though geographic locations of the user offices and the manufacturing offices, as marked on the Buncheong ceramics, were widely different between Choongcheong-do, Jeola-do, and Gyungsang-do, the style, the decoration and the decorating method were unified. Inspired by this finding, some representative Buncheong ceramics from three different geographic regions have been selected for an in-depth study. Their uni lied manufacturing background has been clarified, based upon the study results on the ceramics and the handicraft manufacturing records in the Annals of the Joseon Dynasty.
It has been found that, as in other handiwork area, the tribute Buncheong ceramics were manufactured according to the model delivered by the central government. There were two types of models: a sample good or picture. The kilns across the country manufactured the tribute Buncheong wares according to the given models. This was the reason why the tax tribute Buncheong wares from widely separated geographic regions had unified styles and decorations.
The ceramic wares paid to the central and local governments as tax tribute during the king Taejong and Sejong periods were manufactured from widely distributed kilns over the country. Detailed information on the kilns are described in Sejong-shillok Jiriji (Geographical description of the eight provinces, part of the Annals of King Sejong).
Tribute Buncheong ceramics wore letter markings representing the government office (either the user or the supplier), manufactured place, or the craftsman. Even though geographic locations of the user offices and the manufacturing offices, as marked on the Buncheong ceramics, were widely different between Choongcheong-do, Jeola-do, and Gyungsang-do, the style, the decoration and the decorating method were unified. Inspired by this finding, some representative Buncheong ceramics from three different geographic regions have been selected for an in-depth study. Their uni lied manufacturing background has been clarified, based upon the study results on the ceramics and the handicraft manufacturing records in the Annals of the Joseon Dynasty.
It has been found that, as in other handiwork area, the tribute Buncheong ceramics were manufactured according to the model delivered by the central government. There were two types of models: a sample good or picture. The kilns across the country manufactured the tribute Buncheong wares according to the given models. This was the reason why the tax tribute Buncheong wares from widely separated geographic regions had unified styles and decorations.
목차
Ⅰ. 머리말
Ⅱ. 공납용 분청사기의 銘文과 제작지역
Ⅲ. 공납용 분청사기의 양식
Ⅳ. 공납용 분청사기의 제작배경
Ⅴ. 맺음말
참고문헌
ABSTRACT
참고문헌 (47)
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UCI(KEPA) : I410-ECN-0101-2010-650-002525274