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The Current Nature of the Korean-Chinese Janggu Rhythm
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현행 중국 조선족 장구 장단의 실제

논문 기본 정보

Type
Academic journal
Author
Piao, En-jing (중국 연변대학)
Journal
Society For Korean Music Educator's Journal of the Korean Music and Education Vol.39
Published
2015.6
Pages
59 - 82 (24page)

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Background
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Method
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The Current Nature of the Korean-Chinese Janggu Rhythm
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In the past the Korean-Chinese music culture was mainly affected by the North Korea, and most of the Korean-Chinese national instruments are developed and improved, the result is that most of the Korean-Chinese folk music lost their traditions. However, one of the Korean-Chinese national instrument－Janggu(장구) keeps its original form, and almost most Korean-Chinese are using it in their music. The purpose of this study is to review the terms of the way to play the execution and rhythm of Janggu, and I will explain the difference with the example of mix-rhythm.
In the current, if we compare the Korean-Chinese folk music of the Janggu and the way to play execution with the South Korea on terms, despite the usage of the same terms, we could find that there is a spatial and temporal differences due to the long periods of discommunication. As a result of this comparative analysis, it can be summarized as below.
First, because the Korean-Chinese do not play the court music－and music called Jeongak(正樂), and the music associated with playing music tune, the performance related with the equipment is extinguished.
Second, there is the differences in terminology on using the Janggu execution between Korean-Chinese and south Korean, and the way to play the equipment and the Janggu execution is also different. the structure of the Korean-Chinese is almost the same as the South Korean, but there is a difference between terminology. For example, South Korean’s dongsalpuri Jangdan(동살푸리 장단) is used as ‘anddang Jangdan(안땅 장단)’.
Third, Korean-Chinese mixed us the two kinds of rhythm called “mixed rhythm”. And Korean-Chinese wants to pursue the changes of rhythm through this mixed rhythm, and it is their unique feature.
The above four different features are my conclusion on Janggu rhythm between Korean-Chinese and South Korean.
#중국 조선족 #장구 #장단 #조선족장구 #혼합장단 #Korean-Chinese #Janggu #rhythmic #The Korean-Chinese Janggu #the mixed rhythm

Contents

국문초록
Ⅰ. 서론
Ⅱ. 연주법과 장단의 용어 검토
Ⅲ. 혼합장단의 용례
Ⅴ. 결론
참고문헌

References (12)

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[단행본] - 김인석 / 2004 / 장고연주와 조선민족장단 / 연변대학예술학원 google schola [단행본] - 김청만 / 2002 / 한국의 장단 / 민속원 google schola [단행본] - 리연희 / 1984 / 음악통론 / 흑룡강 조선민족출판사 google schola [단행본] - 정준갑 / 1996 / 조선민족 민간음악 / 연변대학예술학원 google schola [단행본] - 정남희 / 1966 / 타악기 교칙본 / 조선문학예술 총동맹출판사 google schola

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