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논문 기본 정보

자료유형
학술저널
저자정보
저널정보
한국복식학회 복식 복식 제54권 제6호
발행연도
2004.10
수록면
43 - 57 (15page)

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The purpose of this study is to find the historical identity of elegance expressed on dress as both good taste and refined beauty of dress by means of stylistic approach and to grasp the plastic features and aesthetic values of each periodic style. For this, the documentary study and practical analysis have been executed. Though elegant styles had already existed throughout the history of dress, it was Mannerism in the 16th century which expressed `studied elegance` for the first time. On the grounds of both the classification of periodic styles and the periodic values, elegant styles can be defined and categorized as Salon Elegance, Victorian Elegance, Aestheticism Elegance, Modernism Elegance since Mannerism. Although each of elegant style differed depending on periodic aesthetic values, it proved that the common plastic features appeared as soft shapes, subtle colors and delicate fabrics which were modulated with exquisiteness. In addition, well-adorned appearance, graceful behavior made elegance style perfect. All of elegance styles had in common with refinement, harmony. As a result of this study, in fashion from the 16th century to the first half of 20th century, elegance has been one of the significant aesthetic categories, resulting from the absolute domination of taste of high society throughout this period. Even since the end of 20th century, elegance seems to continue as timeless aesthetic beauty of dress in modern fashion practice, on the accounts of its value of high class as well as its conservative stability on the basis of moderation.

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