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논문 기본 정보

자료유형
학술저널
저자정보
崔建植 (부경대학교)
저널정보
중앙대학교 일본연구소 일본연구 일본연구 제44집
발행연도
2017.2
수록면
163 - 184 (22page)
DOI
10.20404/jscau.2017.02.44.163

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초록· 키워드

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This argues that makurakotoba (枕詞), which was followed by proper nouns such as god and place names in the divine messages, was originally used as shōshi (称詞) to explain their origins and to praise gods’ dignity or divinity, and that it was later standardized into the five letter form as it began to be hired in rhythmic kayō (歌謡) or waka (和歌). It is assumed that more various types of makurakotoba were used before the standardization process.
Shamans possessed by gods used rhythmic predicative shōshi including shamanistic god names in the divine messages for their memorial services, which was orally transmitted and then the praise part began to be omitted. God names in the transitional phases such as makurakotoba form, shōshi form, and divine message form are found here and there in the old documents.
This study argues that the origin of makurakotoba was various complex pre-modifying shōshi employed to express the origin, praise and marvel of gods in the divine messages by shamans and that it was later standardized into four or five letter forms in kayō or waka because complex praise forms which were difficult to understand need to be simplified.

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1. 들어가기
2. 枕詞의 本質과 種類
3. 稱詞的인 上代神名의 접두형식
4. 나오기
參考文獻
Abstract

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UCI(KEPA) : I410-ECN-0101-2017-309-002234718