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Art and Physiology - Focusing on Philosophy of Nietzsche and Dewey -
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예술과 생리학 - 니체와 듀이철학을 중심으로 -

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Type
Academic journal
Author
Chung, Nak-Rim (경북대학교)
Journal
The New Korean Philosophical Association Journal of the New Korean Philosophical Association Vol. 102 KCI Accredited Journals
Published
2020.10
Pages
369 - 395 (27page)
DOI
10.20433/jnkpa.2020.10.369

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Art and Physiology - Focusing on Philosophy of Nietzsche and Dewey -
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The purpose of this study is to compare Nietzsche’s and Dewey"s philosophy of art in terms of physiology. The idea that it is impossible to define art prevails these days. The slogans "Everything is art" and "Everyone is an artist" are not unfamiliar. In Warhol"s "Brillo Box", A. Danto affirms that the definition of traditional art such as imitation theory, expression theory, formalism, etc. cannot explain "Brillo Box" as art, and he declares " the end of art".
Danto"s declaration of the end of art broke the modern boundaries of art and gave legitimacy for various artistic experiments. However, the biggest problem raised by artistic pluralism is that if everything can be art, it cannot provide a clear criterion for which art is better or superior. Here, F. Nietzsche"s "Physiology of Art" and J. Dewey"s "Art as Experience" attract our attention. Nietzsche finds the beginning of art in physiology, especially the Affect of intoxication. Dewey is also looking for its origins in the physical rhythm of humans facing nature. Both Nietzsche and Dewey start art from physiological conditions, but do not give up the qualitative difference in art.

Contents

한글요약
Ⅰ. 들어가는 말
Ⅱ. 니체의 예술 생리학
Ⅲ. 듀이의 경험으로서 예술
Ⅳ. 확장된 예술개념
V. 맺는 말
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UCI(KEPA) : I410-ECN-0101-2020-105-001571615