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A Study on the 'Anonymity' of Korean Hyperrealist Painting in the 1970s-80s: 'Fact and Reality,' a Hyperrealist Painting Group
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1970~80년대 한국 극사실 회화의 '익명성' 연구: 극사실 회화 단체 '사실과 현실'을 중심으로

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Type
Academic journal
Author
Kim Jaeyoung (대전시립미술관)
Journal
Association Of Art History Misulsa Yeongu : Journal of Art History No.41 KCI Accredited Journals
Published
2021.12
Pages
249 - 276 (28page)
DOI
10.52799/JAH.2021.12.41.249

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A Study on the 'Anonymity' of Korean Hyperrealist Painting in the 1970s-80s: 'Fact and Reality,' a Hyperrealist Painting Group
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Up to this day, quite a few studies on Korean hyperrealist painting have been published. However, no research has looked specifically at what is arguably the most essential and vital element of the wider movement, the first-generation of hyperrealist artists in Korea. In this regard, this study primarily examines the formation and activities of the collective Fact and Reality (Sasilkwa Hyonsil), Korea’s first hyperrealist painting group, the characteristics of the paintings of its members, and identifies a new distinctive defining element, that of “anonymity.” To this end, the author collected and reviewed primary source material attributable to the members of the Fact and Reality and interviewed the artists with the main goal of reconsidering the characteristics of Korean hyperrealist painting that haven’t been discussed. Accordingly, this study analyzes the groups characteristics of form and content closely by analysing the major works by the four artists(Kim Kangyong, Seo Jeoungchan, Ju Taeseok and Ji Seokcheol) who created hyperrealist paintings within the Fact and Reality group.
In this study, the formal characteristics which their works show on the surface – hyperrealist techniques, partially enlarged composition, and neutral color schemes - and the background context of the ideas about the objects and scenes within the images that have been removed from mundane reality are understood within a larger frame of “anonymity.” This orientation allows this study to uncover the fundamental elements and unique characteristics that Korean hyperrealist artists have pursued from the perspective of an anonymous artists’ consciousness instead on the basis of the style itself. This approach goes beyond that of other approaches adopted by existing studies that have regarded hyperrealist painting only as a matter of the form of expression, and in this respect, this study aims to innovatively interpret Korean hyperrealist painting.
#극사실주의 (極寫實主義, Hyper-Realism) #극사실회화 (極寫實繪畫, Hyper-realism Painting) #익명성(匿名性, Anonymity) #사실과 현실 (事實과 現實, Fact and Reality)

Contents

Ⅰ. 머리말
Ⅱ. ‘사실과 현실’의 활동과 특징
Ⅲ. ‘사실과 현실’의 주요 동인을 통해 본 극사실 회화와 익명성
Ⅳ. 맺음말
참고문헌
국문초록
Abstract

References (35)

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김현화 / 2010 / 1970~1980년대 한국 극사실화: 이미지와 실재의 간극, 장 보드리야르의 하이퍼리얼 담론으로 읽기 / 美術史論壇 (31):169~196 dbpia 김현화 / 2019 / 현대미술의 여정 / 한길사 google schola 김종근 / 2005 / 빛나는 한국의 화가들 / 아트블루 google schola 공주형 / 2007 / 박수근 회화의 익명성에 관한 연구 google schola 루돌프 아른하임 / 1995 / 미술의 시지각 / 미진사 google schola

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