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Exploring Data-Driven Instruments in Contemporary Music Composition
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Type
Academic journal
Author
Mei-ling Lee (Haverford College)
Journal
Korea Electro-Acoustic Music Society Emille : The Journal of the Korean Electro-Acoustic Music Society Vol.22 KCI Candidated Journals
Published
2024.12
Pages
43 - 50 (8page)

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Exploring Data-Driven Instruments in Contemporary Music Composition
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Abstract· Keywords

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How can data-driven instruments, through data mapping strategies and the use of performance interfaces, transform compositional practices and expand the creative possibilities of contemporary music production? This paper illustrates the concept of data-driven instruments and their connec- tion to conventional musical instruments. It examines three original compositions written by the author to demonstrate the utilization of data- driven instruments in musical contexts, focusing on the application of sonic materials and data mapping strategies. Developed using Max, a pro- gramming language by Cycling '74, and Kyma, a sound creation environment by Symbolic Sound, these compositions utilize diverse performance interfaces to explore interactive, real-time possibilities. By exploring these instruments' innovative potential, this paper demonstrates their trans- formative role in contemporary music creation, offering new potentials and expanding the horizons of musical artistry.

Contents

Conceptual Background and Theoretical Frameworks
Musical Works
Conclusion
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Abstract in Korean

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