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논문 기본 정보

자료유형
학술저널
저자정보
저널정보
한국시학회 한국시학연구 한국시학연구 제8호
발행연도
2003.5
수록면
307 - 346 (40page)

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This paper shows the purity of the lyric of 〈Simunhakpa〉 in the early of the 1930’s. The purity of the lyric of 〈Simunhakpa〉 stands for the something on the form not the substance, which excludes the social problem, the historic matter, the economic problem, the political problem, and etc. 〈Simunhakpa〉 had tried to write the lyric consisted of their own emotion, speech, and rhythm which become the necessary condition for the pure lyric. Also the other condition for the pure lyric is to be through the medium of the nature as the pure world without the artificial power.
The purpose of the 〈Simunhakpa〉 was to be for their Idealism by the denial of reality, which is connected to the romanticism that lies at the root of the idealism. The romanticism self lies at the root of the pure self of human beings. The pure self enjoys freedom for the creation in the pure world like nature. So the main motif of the lyric of 〈Simunhakpa〉 is nature which is one of the traditional motives. Nature is not only traditional motif but also modern motif, because it lies at the root of our human life. Especially the empathic nature by the poets is the nature revived by the Humanism for the perfection of their self, that belongs to the poets.
Concretely, Kim YoungRang expressed his pure self of a narcissism through the nature as his mind’s mirror. Jeong JiYong expressed his pure self of a Homo Ludens through the nature as an object. Sin SeokJeong, Heo Bo, and Park YongCheol expressed their pure selves of the revolved self through the nature as the origin. Kim HeonKu, Lee HaYoon expressed their pure selves of the recollective self through the nature as the memory. In the result, the significant of the pure lyric is to be for the autonomous arts same as the nature of arts. So the lyric of 〈Simunhakpa〉 lies at the root of Korean modern poetry history as the nature of autonomous lyric.

목차

1. 〈시문학파〉 연구의 의의
2. 순수의 의미
3. 김영랑 - 거울로서 자연
4. 정지용 - 대상으로서 자연
5. 신석정, 허보, 박용철 - 근원으로서 자연
6. 이하윤, 김현구 - 추억으로서 자연
7. 순수시의 문학사적 의의
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UCI(KEPA) : I410-ECN-0101-2009-811-016459403